
The 2009 campaign from ING bank that focuses on easy features…by JWT Bangalore.

The 2009 campaign from ING bank that focuses on easy features…by JWT Bangalore.

Here is a great ad from Vodafone…done by an agency called Santo from Argentina.
Have we not all gone through this emotion at some point of our life? 😆
To create a viral video these days, you need to do something great and unique. Vodafone NZ hired a production team to orchestrate cellphones into “playing” Tchaikovsky’s 1812 Overture.
This was done using 1000 phones and 53 different ringtone alerts, synchronized to recreate the classical piece.
The mechanism was constraint-driven composition.
Instead of instruments, the “sound palette” was a fixed set of ringtone alerts. The team then arranged phones like sections in an orchestra and synchronized their playback so the combined output recreated the music.
What makes this work on camera is that you can see the system. Rows of devices. Repetition at scale. A human-built machine producing a familiar piece.
In global telecom marketing, the most shareable films often work because the effort is visible. Vodafone NZ’s Symphonia-style execution is a clean example of spectacle built from real craft.
It lands because it is both absurd and precise.
Absurd in the best way. A classical overture performed by ringtone alerts should not work. Precision is what makes it impressive. The viewer can sense the complexity without needing to understand the full production process.
It also bridges cultures. Highbrow music meets everyday tech, creating an unexpected contrast that feels fresh instead of forced.
The intent was to associate Vodafone with coordination, scale, and modern connectivity, without having to say those words.
Thousands of connected devices acting as one is a visual metaphor for a telco’s promise, and the film makes that metaphor entertaining rather than technical.
If you like the resulting tune, you can download it to your computer, as well as the 53 ringtones used to create it, from www.vodafone.co.nz/symphonia.
A film where 1000 mobile phones, using 53 different ringtone alerts, were synchronized to perform Tchaikovsky’s 1812 Overture.
Constraint-driven composition. A fixed set of ringtone sounds becomes the “instrument set”, and synchronization plus physical arrangement makes the system readable on camera.
The effort is visible. The scale reads instantly, and the contrast between classical music and ringtones creates a surprising but coherent hook.
It turns “connectivity at scale” into a watchable metaphor. Many devices acting as one becomes an entertaining proof of coordination and network promise.
If you can make the constraint and the craft legible in one frame, the build itself becomes the reason people share.