
A new ad for Bud Light by DDB USA. 😆

A new ad for Bud Light by DDB USA. 😆

In order to get more men to the bars and drink beer….Andes the No. 1 beer brand from Mendoza, Argentina actually went ahead and created the “Teletransporter”.
With the teletransporter the men could actually dupe their girlfriends and have a couple of more Andes with their friends. 😆
Volvo’s new C70 comes with an available “wife-swapping feature”. That is the joke this video runs with, presented in the familiar language of a premium car commercial, then pushed into outright parody.
The mechanism is simple. Use the polished grammar of an automotive feature demo, then introduce one outrageous “benefit” that clearly does not belong. The contrast does the work. It is recognizably a car ad in format, and obviously not a car ad in intent.
In premium automotive marketing, parody “feature demo” films can be a fast way to generate talkability when the real product story risks blending into category sameness.
It is short, instantly legible, and built around one line people can repeat. It also plays on a familiar consumer pattern: most of us have seen enough car advertising to recognize the tropes, so the subversion is easy to process and easy to pass on.
This is not about explaining the car. It is about attention and memory. Satire can do that well because it gives people a reason to share that is social, humor, surprise, and “you have to see this,” rather than “here is a product message.”
Standalone takeaway: If your category is saturated with similar promises, a single sharp subversion can earn more recall than ten more seconds of conventional feature narration.
It uses the structure of a premium car commercial, then inserts an absurd “feature” to turn the entire piece into satire.
Because the share incentive is emotional and social. People share what makes them laugh or surprises them, not what feels like a brochure.
Confusion and brand harm. If the joke reads as mean-spirited or unclear, people remember the controversy instead of the point.
When your product requires trust-first communication, or when the joke could be interpreted as targeting a group of people rather than a marketing trope.
Format hacking. Start with a template the audience already understands, then flip one element to create surprise and talkability.