Social Robots

In 2011, Andes Beer in Argentina used robots in their campaign to enable people to virtually experience a real life event. Fast forward to 2013 and the social robots can now be seen in campaigns from Italy and Israel. 😎

Three minutes in Italy

San Pellegrino an Italian brand of mineral water invited their Facebook fans to come and discover the beautiful Sicilian village of Taormina and explore its cobblestone streets via a special webcam and microphone enabled robot that could be controlled by the users from their own computer…

Coca-Cola Summer Love 2013

Coca-Cola Summer Love is THE annual summer event for Israeli teenagers. Unfortunately, not everyone can join the fun. So to bring the experience to those who can’t physically be there, Coca-Cola created a robot that allowed teenagers to be part of the summer camp without leaving their homes. The special robots carried webcams and microphones and were controlled by users who couldn’t physically be there. Users could control the robots and navigate them around the campus, talk with their friends, watch the shows, participate in the competitions and be part of the experience.

The robots were a hit among the teens and the people around welcomed them to the camp, danced with them, sunbathed with them and surprised them. They became the stars of the show, as well as media magnets…

Kit Kat: Jesus Loves Kit Kat

When a bite turns into a “sighting”

Every so often the internet latches onto a “miracle” story. This one starts with a simple, everyday moment. Someone takes a bite of a Kit Kat, and suddenly the bite pattern is framed as a face. Cue the inevitable question. Is it real, or is it just our brains doing what they always do with patterns?

Either way, the punchline lands immediately because the brand line is already waiting for it. Jesus loves Kit Kat. Have a break. Have a Kit Kat.

The stunt behind the headline

The mechanism is a simple one. Take a familiar cultural pattern. The “miraculous sighting” story. Then attach it to an everyday object and let curiosity do the distribution work.

In European FMCG marketing, low-budget PR seeding can outperform paid media when the story is easy to retell and the brand cue is unmistakable.

In this case, the campaign is described as being kick-started by sending a tip to major Dutch news sites about a “Jesus face” discovered in a bitten Kit Kat, complete with “proof” photos. Once the story lands, the audience spreads it for free, partly to react, partly to mock, and partly to forward the joke.

Why it lands: the audience writes the punchline

It works because the viewer instantly knows what to do with it. “Is it real” is the hook. “Obviously not” is the release. Then the slogan becomes the comment section fuel, because “Have a break” and “Give me a break” are ready-made responses that keep repeating the brand.

What the brand is really buying

This is not persuasion. It is memory and talk value. The goal is to force a moment of attention in a low-involvement category, then lock the attention to a slogan people already know well enough to quote without effort.

What to steal if you want earned reach without begging for it

  • Use a story shape people already recognise. Familiar formats travel faster than “new idea” explanations.
  • Make the brand cue inseparable from the joke. If the gag works without the product, you are funding entertainment, not brand recall.
  • Design for repeatable phrasing. The best hooks come with a built-in line people will type in their own words.
  • Know the risk. Hoax-style PR can backfire if your category depends on trust, seriousness, or institutional credibility.

A few fast answers before you act

What is happening in “Jesus Loves Kit Kat”?

A playful “sighting” style story frames a bitten Kit Kat as if it reveals a face, and the curiosity and debate around it drives sharing.

What is the core mechanism?

PR seeding plus a familiar meme-like story format. People click to judge it, then share to react, mock, or pass along the joke.

Why does this kind of story travel fast?

Because it is easy to retell and invites opinion. The audience becomes the distributor by arguing about whether it is “real”.

What is the brand risk to watch?

Hoax-style hooks can backfire in categories where trust and seriousness matter. The technique needs category-fit and tone discipline.

What is the most transferable takeaway?

If you use a cultural format people already recognise, make sure the brand cue is inseparable from the punchline, otherwise the joke outlives the brand.