The LivingSocial Taxi Experiment

Taxis are becoming a great media for unexpected cool advertising. In London, LivingSocial took over an everyday taxi and converted it into a surprising and delightful experience.

The objective was simple, and that was to create buzz around their website livingsocial.com, and at the same time showcase their many great discounts. So when unsuspecting passengers hailed this special taxi and got inside, there were give a choice i.e. carry on to their original destination, or ‘roll the dice’ and go for an exciting experience…

McDonald’s: Dollar Drink Days Ice Sculpture

McDonald’s Canada and Cossette Vancouver brought to life one of the first interactive ice sculptures this summer on behalf of McDonald’s Restaurants in Alberta. The objective was to drive consumer interest in the company’s Dollar Drink Days campaign.

Hosted in the town of Sylvan Lake, the stunt saw 8,000 pounds of ice moulded into a seven-foot tall installation containing over 4,000 sparkling loonies, shaped into McDonald’s famous Golden Arches. The ice melted on a summer Saturday, and consumers chipped away at the sculpture to collect their bounty.

To attract high levels of interaction, the sculpture was strategically placed near the Sylvan Lake Pier, an area frequented by young adults and families. The day also featured a DJ, street promotional teams, hula hooping, limbo contests and giveaways.

Why this activation pulls people in

  • A clear, physical payoff. The value is visible and tangible, and the “win” is earned through participation.
  • Built-in urgency. Melting ice creates a natural time limit, which pushes people to act now rather than “later”.
  • Placement does the heavy lifting. Putting it at a high-traffic summer spot turns curiosity into crowds.

What to take from it

This is a strong example of turning a price promotion into a real-world spectacle. Instead of telling people “Dollar Drink Days is on”, the brand created a moment people wanted to be part of, and then made participation the mechanism for reward.


A few fast answers before you act

What was the Dollar Drink Days ice sculpture?

It was a seven-foot interactive ice installation in Sylvan Lake, Alberta, shaped like the Golden Arches and packed with thousands of loonies for visitors to collect as it melted.

How did people interact with it?

As the sculpture melted during the day, people physically chipped away at the ice to reach the coins inside.

Why stage it near Sylvan Lake Pier?

The location is naturally busy with young adults and families in summer, which increases footfall and keeps participation high.

What is the core pattern worth reusing?

Give people one simple action that unlocks a tangible reward. Add a natural deadline, and stage it where the right crowd already gathers.

Marmite: Bringing Home the Kiwis

A centenary gift that tastes like home

Sanitarium Marmite is a Kiwi staple and a national icon of 100 years. Today, one in five Kiwis live abroad. Many of these 600,000 Kiwis miss their Marmite, as it is hard to get overseas.

So to commemorate its 100th year in New Zealand, Ogilvy Auckland launched a contest which reunited long-lost Kiwis with their homeland and everything they love about it, including Marmite.

The mechanic: one-way tickets as a proof of intent

All the interested candidates had to do was tell the Marmite judges what makes them, or their loved ones, a deserving candidate to avail one of the 100 one-way free air tickets from anywhere in the globe.

A diaspora is the portion of a country’s people living overseas, often staying emotionally tied to “home” through food, language, sport, and ritual.

In small countries with a large diaspora, local brands can act as a bridge. Not by talking about identity, but by enabling a real reunion.

Marmite’s “Bringing Home the Kiwis” is a centenary contest that offered 100 one-way flights to bring overseas New Zealanders back home, using the return itself as the campaign’s emotional centerpiece.

Why it lands: it makes nostalgia actionable

Most “homesickness” marketing stays symbolic. This one turns longing into logistics. The prize is not merchandise. It is presence. That is why the story travels. It is instantly understandable, and emotionally high-stakes without feeling manufactured.

The business intent behind the generosity

The brand is buying disproportionate meaning. Marmite becomes a shorthand for “home,” and the campaign demonstrates it through a gesture people talk about long after the winners land.

It also solves a real friction point in the insight. If the product is hard to get abroad, then “bring them back” is a bolder way to dramatize what the brand represents.

What to steal if you want a diaspora idea that is more than a slogan

  • Use a prize that embodies the insight. Flights beat gift packs when the emotion is separation.
  • Keep entry simple, but make the stories rich. Let candidates supply the narrative energy.
  • Build a clear number hook. “100 for 100 years” is easy to remember and retell.
  • Make the payoff visible. Arrivals and reunions are the credibility layer, not a voiceover.

Nice idea, but it is clearly in the same family as “bring them home” diaspora campaigns, including JWT Argentina’s 2009 effort, titled “Bring Home the Argentinians”.


A few fast answers before you act

What is Marmite’s Bringing Home the Kiwis campaign?

It is a centenary contest that offered 100 one-way flights from anywhere in the world to bring overseas New Zealanders back home, tying the brand to the emotional idea of “home.”

What is the core mechanic in one sentence?

People nominate themselves or loved ones with a short story, and the prize is the reunion itself. The return trip becomes the proof of the brand idea.

Why does the “one-way ticket” prize work so well?

Because it turns nostalgia into logistics. The reward is presence, not merchandise, so the brand promise feels demonstrated rather than advertised.

Why is “100 for 100 years” a smart structure?

It is a simple number hook that is easy to remember and retell. It also makes the generosity feel purposeful instead of arbitrary.

What is the real business intent behind the generosity?

Marmite buys disproportionate meaning and becomes shorthand for “home,” while dramatizing a real friction point. It is hard to get abroad, so the campaign makes “home” the centerpiece.

What makes the story travel beyond New Zealand?

The payoff is visible and universal. Arrivals and reunions act as the credibility layer, so the idea works as a story, not just a claim.

What should other brands copy from this pattern?

If your positioning is emotional, make the mechanic physical. Choose a prize that embodies the insight, keep entry simple, and let real people supply the narrative energy.