SAS: Up for Grabs on Facebook

SAS: Up for Grabs on Facebook

To promote a million-seat fare sale, Scandinavian Airlines (SAS) and Crispin Porter + Bogusky Stockholm ran a Facebook competition where fans could “grab” a free trip. The ask was visual and dead simple, and it turned participation into the media.

Fans changed their profile picture into a custom “Up For Grabs” image, then posted a matching photo on the SAS Facebook wall where they physically “grabbed” the trip. Every entry looked like an ad, and every ad looked like a friend.

The mechanic that turns fans into distribution

The campaign’s mechanism was a two-step loop. First, replace your profile image with a branded frame that signals you are “in”. Second, publish a playful photo on the brand wall that demonstrates the concept, grabbing the prize. That wall then becomes a live gallery of social proof, with each new post re-selling the fare sale in a more human way than a banner ever could.

In airline marketing, promotions that convert participation into shareable images can outperform price-only fare announcements.

Why it lands

It turns an abstract offer into a physical gesture. “Grab a trip” becomes something you can perform, photograph, and show. The profile-picture switch is a light commitment that broadcasts intent, and the wall post is a public performance that invites imitation. The momentum comes from visibility, because the more entries you see, the more “normal” it feels to join.

Extractable takeaway: When you need scale fast, design one participation artifact that doubles as an ad unit, and make the action easy enough that people will copy it without instructions.

What the shutdown reveals about the strategy

The campaign was reportedly against Facebook promotion terms, and it was shut down. That ending is part of the story, because it highlights the tightrope of social-first promotions. The creative is built on a behavior Facebook historically restricts for contest entry, asking people to publish specific content as a condition of participation, even if the idea is clever and the buzz is real.

The real question is whether the participation mechanic can spread the offer without depending on a platform behavior that can be switched off overnight.

The stronger strategic read is that the creative idea is right, but the distribution mechanic is too dependent on borrowed platform rules.

What to steal for your own launch

  • Make the entry format the message. If the entry itself demonstrates the offer, you get free repetition of the proposition.
  • Use a low-friction first step. Profile-picture frames and templates work because they are fast and socially legible.
  • Design a single visual trope. “Grabbing” is a trope anyone can reproduce, and that consistency creates a recognizable feed.
  • Build compliance in from day one. If the mechanic depends on prohibited platform behaviors, plan a compliant alternative before launch.

A few fast answers before you act

What is the core idea of Up for Grabs?

A Facebook contest where fans change their profile picture to a branded frame and post a “grabbing the trip” photo on the SAS wall to compete for a free flight.

Why does the profile-picture step matter?

It turns participation into persistent visibility. The frame signals “I am in”, and it spreads through everyday browsing without requiring an additional media buy.

What made the campaign travel beyond the SAS page?

Each entry was both participation and promotion. When fans changed their profile picture and posted a matching photo, the fare sale moved into personal networks instead of staying inside brand media.

Why was it shut down?

It was reportedly closed for violating Facebook promotion rules by conditioning entry on specific platform actions, such as posting photos on the wall.

How do you keep the upside without the platform risk?

Keep the visual template and the “grab” trope, but move the submission mechanic to a compliant entry flow, then allow optional sharing that is not required to participate.

Flair: Fashiontag

Flair: Fashiontag

Women are always looking for inspiration for their wardrobe and most of the time they find this inspiration by looking at other women.

This inspired agency Duval Guillaume to create a Flair Fashiontag Facebook app for Belgian women’s magazine Flair. In the app, instead of tagging people, you can tag people’s clothes or accessories and ask them where they got them.

All fashiontags are displayed in a Facebook gallery, and the best are published in the weekly edition of Flair. This way there is constant interaction between the Facebook application and the magazine itself.

Turning social curiosity into a repeatable format

The mechanism is a simple swap. Replace social tagging of people with social tagging of products. A photo becomes a shoppable question. The owner of the outfit becomes the source. The magazine becomes the curator that elevates the best finds from feed to print.

In fashion and lifestyle publishing, converting casual “where did you get that” moments into a structured loop is a practical way to keep community activity and editorial output feeding each other.

The smart move here is to treat wardrobe curiosity as a content engine, not as a side effect of social chatter. The real question is how to turn that curiosity into a repeatable loop that helps readers in the moment and gives the magazine something worth curating.

Why it lands

This works because it formalizes a behavior that already exists. People already look at outfits, notice details, and ask friends for sources. Fashiontag simply gives that behavior a native interface and a public gallery, then adds a prestige layer by featuring the best tags in the weekly magazine.

Extractable takeaway: If your audience already asks each other for product sources, build a lightweight format that captures those questions in the moment and rewards the best contributions with visible amplification.

What to steal from Fashiontag

  • Swap the object of attention: tag the item, not the person, when product discovery is the real intent.
  • Close the loop with curation: a gallery is useful. Editorial selection makes it aspirational.
  • Make participation low-friction: one tag, one question, one shareable output.
  • Bridge channels on purpose: use print, site, and social as a single system, not separate campaigns.
  • Protect the social contract: ensure the person in the photo is comfortable with tagging and featuring, especially when content moves into a magazine.

A few fast answers before you act

What is Flair Fashiontag?

It is a Facebook app for Flair magazine that lets users tag clothes or accessories in photos and ask where those items were purchased.

What makes it different from normal photo tagging?

Normal tagging identifies people. Fashiontag identifies items. It turns fashion curiosity into a structured question-and-answer interaction.

How does the magazine benefit from the Facebook app?

The app creates a steady flow of wardrobe inspiration and real questions from readers. The magazine then curates and publishes the best tags, which reinforces participation.

Why is this a strong community mechanic?

Because it rewards helpfulness. People contribute sources and recommendations, and the gallery plus print selection turns that help into recognition.

What is the biggest risk in this format?

Consent and comfort. Tagging items in someone’s photo can feel intrusive if the person did not opt in, especially if content can be featured publicly in print.