The world’s first emotionally powered store

You step into a pop-up store in central London because Christmas shopping feels like a chore. You sit down, look at product ideas on a screen, and the system watches your face as you react. Not in a creepy sci-fi way, but in a deliberately framed “let’s reconnect with the emotional spirit of giving” way. Your expressions become signals. The store turns those signals into a personal report, then suggests the gift that triggers the strongest “this feels right” response.

That is the idea behind eBay’s “emotionally powered store,” created with American technology firm Lightwave. Using intelligent bio-analytic technology and facial coding, eBay records which products provoke the strongest feelings of giving. Then, through personalised emotion reports, it suggests the gift that stirs the most feeling.

What eBay is actually testing here

This is not only a seasonal stunt. It is a test of whether emotion can be treated as data in a retail environment, and whether that data can be turned into a better decision loop.

The store reframes the problem:

  • the problem is not “too little choice”
  • the problem is decision fatigue, stress, and loss of motivation
  • the solution is not more filters, it is faster emotional clarity

The mechanics. Simple, but provocative

At the core is a clean input-output system:

  • Input. A sequence of gift ideas shown in a tight flow.
  • Measurement. Facial coding and bio-analytic signals that infer which moments create the strongest emotional engagement.
  • Output. A personalised emotion report that recommends the gift that creates the strongest “giving” response.

The tech is almost secondary. The real innovation is the framing. A store that does not just sell products. It guides you toward the gift that feels most meaningful.

Why this matters for next-generation shopping environments

A lot of “next-gen retail” bets on bigger screens, more sensors, and more automation. This one bets on something more human.

It treats the emotional state of the shopper as a first-class design constraint:

  • reduce stress
  • re-anchor the experience in intent and empathy
  • make the decision feel more satisfying, not just more efficient

That is a powerful signal for any brand that sells gifts, experiences, or anything identity-driven. The product is rarely the only thing being purchased. The feeling of choosing it matters.

The leadership question sitting underneath the pop-up

The interesting question is not “does facial coding work.” The interesting question is what happens when retail experiences start optimizing for emotion as deliberately as they optimize for conversion.

If you can capture emotional response at the moment of choice, you can start redesigning:

  • the sequence in which products are presented
  • the language and imagery that drives confidence
  • the point at which a recommendation should trigger
  • the moment where a shopper’s motivation drops, and how to recover it

That is where this moves from a pop-up into a capability.


A few fast answers before you act

Q: What is an “emotionally powered store”?
A retail concept that uses bio-analytic signals and facial coding to measure emotional reactions, then recommends products based on the strongest response.

Q: What is eBay trying to solve with this experience?
Christmas gift-buying stress and decision fatigue. The store is designed to reconnect shoppers with the emotional spirit of giving.

Q: What role does Lightwave play?
Lightwave provides the technology support for the bio-analytic and facial coding layer used in the pop-up.

Q: What is the output for the shopper?
A personalised emotion report and a gift recommendation based on the products that provoke the strongest feelings of giving.

Q: What is the broader takeaway for retail innovation?
Emotion becomes a measurable input for experience design, not just a brand aspiration.

Durex UK: Dual Screen Ads

When the “real” ad plays on your second screen

People watch TV with a phone in hand. Durex UK used that habit to turn a standard broadcast spot into an interactive experience.

Last year, Durex UK created a new way for viewers to interact with its TV ad. Viewers who used the Durex Explore mobile app while watching the ad on their TV or computer got a steamy alternative on their second screen.

How the dual-screen mechanic worked

The mechanism was straightforward. The broadcast spot acted as the trigger, and the Durex Explore app delivered an alternative experience on the viewer’s phone or tablet.

That split matters. The TV carried the mainstream version. The second screen carried the more private, more personal layer, where the viewer could engage without turning the living room into a shared moment.

In UK brand communications, second-screen behavior is already the norm.

Why it lands in real viewing contexts

This works because it respects how people actually consume media.

Phones are personal. TV is social. By moving the steamy content to the second screen, Durex created a “permissioned” experience. The viewer chooses it, in their own space, on their own device.

It also rewards attention. Instead of asking viewers to tolerate an ad, it gives them a reason to participate.

The business intent behind extending TV and radio through an app

The intent is to convert passive reach into active engagement, while keeping the broadcast execution broadly acceptable.

Then, on Valentine’s Day this year, Durex UK repeated the same idea via radio. They released a steamy radio spot that also used the Durex Explore app to provide listeners with a similar steamy video experience on their smartphone or tablet.

That is the strategic move. One app. Multiple channels. A consistent interaction model that travels across TV, computer viewing, radio, and mobile.

What to steal from this second-screen pattern

  • Use the second screen for the private layer. Put the content that needs discretion on the personal device.
  • Make participation optional and clear. The viewer should feel in control of switching modes.
  • Design one mechanic that scales across channels. If the app is the interface, TV and radio can both become entry points.
  • Reward attention with a different experience. The second-screen payoff must feel meaningfully distinct from the broadcast spot.

A few fast answers before you act

What did Durex UK do with the Explore app?

They used it to deliver an alternative, steamy second-screen experience for viewers watching a TV ad, and later for listeners hearing a radio spot.

What is the core mechanism?

A broadcast ad acts as the trigger. The mobile app provides the alternative content on a phone or tablet.

Why is second screen a good fit for this category?

Because it keeps intimate content on a personal device, while the broadcast remains suitable for shared environments.

What business goal does this support?

Turning broadcast reach into measurable engagement and creating a repeatable interaction layer that works across channels.

What is the main takeaway for marketers?

If your message has a “public” and “private” version, broadcast the public layer and let the second screen deliver the private layer by choice.

Gift of Home for the Holidays

Air-Canada

It’s that time of the year again! So here is my last and very Christmassy post for the year. 😉

Since Christmas is the season of giving, Air Canada decided to spread a little love to unsuspecting Canadian’s at a local Canadian bar in London. At the bar two Air Canada pilots talked to several Canadians about how they wouldn’t make it home this holiday season. After which they announced that they would be giving everyone in the bar a very special gift. What happened next would make you wish you were there for this special moment…

Until 2015! Ramble over and out.