
Here is a novel approach to two different kinds of art…

Here is a novel approach to two different kinds of art…
Paintballing meets street art in Mountain Dew Energy’s UK campaign. The idea is built around a simple collision: take the raw physicality of paintballing and merge it with graffiti culture.
The campaign is centred on a Facebook app designed to find and showcase the brand’s official street artists. Rather than appointing talent from the top down, Mountain Dew Energy lets fans decide who represents the brand on the street.
The campaign video shows the Graffiti Kings creating large-scale street art using paintballs inside London’s graffiti hub, the Leake Street Tunnel. The featured artists, Knoxville and Grohl, are not random selections. They were chosen by fans following a teaser phase that invited participation before a single wall was painted.
The mechanism is the twist on technique. Graffiti is usually associated with spray cans and markers. Paintballs introduce unpredictability, force, and performance. The act of creation becomes as interesting as the final artwork, giving the campaign strong visual momentum.
In youth and culture-led marketing, credibility rises when the brand builds a participatory system and lets the community validate the outcome.
Letting fans choose the artists shifts authorship. The brand steps back from curating taste and instead creates a framework where the community validates talent. That makes the outcome feel earned rather than manufactured, which matters in street culture.
This also gives the campaign a built-in narrative arc. The teaser phase creates anticipation. The vote creates ownership. The execution becomes a payoff that fans feel partially responsible for.
The business intent is not just awareness. It is cultural alignment. Mountain Dew Energy positions itself close to street culture, creativity, and youth expression. By avoiding polished studio aesthetics, the brand signals that it understands the messier, louder edges of its audience.
The use of paintballs turns graffiti into a live performance, not just a finished visual, and makes the act of creation central to the story.
It transfers credibility. When the community selects the talent, the brand avoids looking like it is imposing taste from above.
Yes. It is the coordination layer that turns passive viewers into active participants and gives the campaign a reason to unfold over time.
Engagement, sharing, and identification with the brand as part of a creative subculture rather than just a beverage choice.
Create a platform, not just a placement. When people can influence the outcome, they are more likely to care about the result.

QR Codes are now being used to preserve graffiti for posterity by photographing the graffiti before it is removed. After the graffiti has been cleaned off by the local authorities or building owner, a QR Code is placed in the exact location which leads to the original image of the graffiti. In this way a mobile phone with a QR-Code Reader can be used to travel back in time.