A New Kind of Catalog 2: IKEA’s AR catalog

Last year Ikea re-imagined their catalog via a visual recognition app that brought its pages to life through inspirational videos, designer stories, “x-ray” views that peek inside furniture, and more.

Now, for the 2014 IKEA catalogue, they push that idea into something far more useful: you can place virtual furniture directly into your home by putting the printed IKEA catalogue where you want the furniture to appear, then viewing the result through your phone or tablet using augmented reality (AR), meaning digital objects layered onto a live camera view of your real space.

In global retail and consumer brands, this kind of print-to-mobile AR works because it turns “can you picture it?” into “can you see it here?” at the exact moment people are deciding.

The simple mechanic that makes a paper catalogue feel like a showroom

The experience design is almost disarmingly straightforward. The catalogue is not just media. It becomes the physical reference point that tells the app where “here” is, and roughly how big “life-size” should be.

  • Open the IKEA catalogue app on a phone or tablet.
  • Scan a supported product page.
  • Close the catalogue and place it on the floor (or surface) where you want the item to “live.”
  • Watch the furniture appear in-context, then explore alternatives by browsing within the app.

Why it lands: utility beats novelty

AR marketing often dies as a gimmick because the “reveal” is entertaining but irrelevant. Here, the reveal is practical: scale, placement, and fit are exactly what shoppers worry about most.

Even when the rendering is not perfect, the direction is clear. Reduce uncertainty. Help people make a confident choice. And if it cuts down on “it looked smaller online” returns, that utility is measurable, not just shareable.

What IKEA is really doing with this catalogue

This is a classic “bridge” play between inspiration and purchase. IKEA keeps the reach and habit of a paper catalogue, then uses mobile interactivity to remove friction at the decision stage.

It also quietly reinforces a brand position: IKEA is not only about affordable design. It is also about smart, accessible tools that help you plan and live better at home.

What to steal for your own catalog, brochure, or product book

  • Make the printed piece part of the interface. Treat paper as a trigger, a marker, a controller. Not a dead-end.
  • Reward the scan with decision support. The “wow” should reduce doubt: sizing, configuration, compatibility, placement, or proof.
  • Design for fast repetition. The real value comes when people try multiple options in minutes, not once for curiosity.
  • Keep the action close to purchase. The best AR demos shorten the path from consideration to “yes” without feeling like a hard sell.

A few fast answers before you act

What is IKEA doing differently with the 2014 catalogue?

They extend the catalogue beyond scan-to-watch content by letting people place virtual furniture into their real home environment using AR.

How does the AR placement work in simple terms?

You scan a supported page, place the physical catalogue where you want the item to appear, and the app overlays a furniture model into the live camera view.

Why is a printed catalogue useful in an AR flow?

The catalogue becomes a physical reference point for position and approximate scale, making placement feel more believable than a free-floating 3D object.

What business problem does this help solve?

It reduces purchase hesitation by letting people judge fit and placement earlier, and it can help lower the risk of dissatisfaction and returns.

What’s the key lesson for marketers using emerging tech?

Build the experience around utility that supports a decision. Novelty may earn a try. Utility earns repeat use and moves people toward purchase.

A day in Big Data

Big Data is one of the biggest buzz words doing rounds in the advertising and media industry. While everyone is working hard to figure out how to make use of this Big Data, OgilvyOne has put together a short concept video to show how all the collected data can be used to create smarter experiences and easier lives.

Everything seen in the below video is already possible with the data and technology that exists today. 😎

Read more at adayinbigdata.com.

NIVEA: Solar Ad Charger

You are on the beach, your battery is dying, and the solution is sitting inside a magazine. NIVEA Sun and Draftfcb Brazil built a print ad insert with real solar panels and a USB port, so beachgoers could plug in and charge while staying in the sun.

The mechanism is the message. The ad is not “about” a product benefit. It behaves like one. Put it in sunlight, connect your phone, and it becomes a small piece of beach kit.

In consumer brand marketing, the most memorable activations turn a media placement into a useful object that fits a real moment of need.

Everything in the context ties together cleanly. Sun. Beach. Sunscreen. Mobile phone. Solar charger. The usefulness makes the brand feel present without asking for attention, because the attention arrives naturally once the ad starts solving a problem.

When “print” becomes a product

This is a simple but important shift. The ad is no longer a container for persuasion. It is a container for utility. That makes the experience inherently shareable, because the story people retell is not “I saw an ad”. It is “I charged my phone with a magazine”.

Why this idea lands on a Brazilian beach

Beach time is long, bright, and social. It also creates a predictable friction point. Phones run out of battery, and leaving the spot to find power breaks the day. A solar-powered insert fits the environment and the behaviour, so the concept feels obvious in hindsight.

What to steal for your next activation

  • Start with a real constraint. Battery anxiety is a better brief than “increase awareness”.
  • Let the medium carry the meaning. Solar charging in sunlight communicates the sun story instantly.
  • Make the interaction self-explanatory. A USB port is a universal instruction set.
  • Design for the “tellable moment”. People share utilities they did not expect to find in advertising.

A few fast answers before you act

What is the NIVEA Solar Ad Charger?

It is a magazine ad insert created for NIVEA Sun in Brazil that includes thin solar panels and a USB port, allowing readers to charge a phone using sunlight.

Why does this count as interactive advertising?

Because the viewer has to use it. The interaction is physical and immediate. Place it in sun, connect a cable, and the ad performs a function rather than only communicating a claim.

What makes the idea feel so “on brand”?

The utility is inseparable from the product context. Sunscreen is used in the sun. The charger also only works in the sun. The message and the mechanic are the same thing.

What is the main lesson for FMCG launches?

If you can turn a placement into a small, relevant tool, you shift from attention-seeking to value-giving. That typically increases recall, sharing, and positive brand association without needing complex explanation.

What is the most common pitfall with utility ads?

Overengineering. If it requires special setup, fragile components, or unclear instructions, people will not try it. Simple inputs and fast payoff matter more than novelty.