The Donor Cable

Azerbaijan has the world’s highest number of children born with the blood disorder thalassemia, a hereditary disease primarily found among Mediterranean cultures. The illness requires extensive blood transfusions for babies, and hospitals often lack the needed amount of donated blood.

So Y&R Moscow partnered with Azerbaijan cellular network Nar Mobile to re-imagine blood donations for today’s digital world. Together they created a special wearable bracelet that let smartphone owners easily donate power to another.

The unique “donor cables” were an instant hit and the country saw an increase in blood donation by 335%.

Coca-Cola: Slurp and Crunch Cinema Spots

Cinema etiquette, packaged as entertainment

Coca-Cola, with the help of Saatchi & Saatchi Denmark and M2Film, created a two-spot public service campaign that highlighted the annoyance of noisy slurps and crunching of refreshments during public viewing at the cinema.

Coca-Cola Gangster

Coca-Cola Stableboy

The move: make the sound the villain

Everyone knows the noise. The spots take that tiny irritation and push it to the foreground, so the whole room shares the same reaction at the same time.

Why it works where it plays

Because it runs in the cinema. The reminder lands in the exact environment where people can immediately correct themselves. It feels like a social cue, not a rule.

The behavioral job

Highlight how slurps and crunching can ruin public cinema viewing, and nudge people toward better behavior without preaching.

Steal the nudge

  • Pick a universal micro-irritation and dramatize it fast.
  • Deliver the message in-context, where relevance is unavoidable.
  • Use story and character so behavior change stays watchable.

A few fast answers before you act

What was this Coca-Cola cinema campaign?

A two-spot campaign designed to highlight how loud slurping and crunchy snacking can annoy other people during a movie.

Who created the campaign?

The post credits Saatchi & Saatchi Denmark and M2Film alongside Coca-Cola.

How many spots were there and what were they called?

Two spots. “Coca-Cola Gangster” and “Coca-Cola Stableboy.”

Where was this intended to run?

In a cinema context, aimed at audiences during public film viewing.

Plan: The Erasable Billboard for Girls’ Education

A large illustrated billboard appears in a busy city square. People donate, receive a simple eraser, and start rubbing away the artwork. As the top layer disappears, a second illustration is revealed underneath, shifting the story from girls working to girls going to school.

Plan has reported that tens of millions of girls worldwide are pushed into work instead of education, while in many less privileged countries boys are more likely to get access to schooling. To spark action, Plan and CLM BBDO created an erasable billboard with an illustration designed to be removed to reveal another illustration underneath. The billboard ran in central locations in Paris and Berlin. Passers-by were invited to donate in exchange for an eraser, then use it to change what the billboard showed.

In social-impact fundraising, participatory outdoor media can turn a small donation into a visible act of change that people feel in their hands.

Why the “erasable” mechanic is so strong

The mechanism does two jobs at once. It raises money, and it makes the issue understandable without explanation. The before-and-after is literal. Work disappears. School appears. The donor is not only informed. The donor performs the change.

Definition-tightening: the eraser is not a gimmick. It is the interface. The act of erasing creates ownership, and ownership is what makes someone more likely to donate, talk about it, and remember it.

What Plan is really buying

This is a public proof of participation. Instead of asking people to “care” in private, it makes caring visible, social, and shared. Every person who erases becomes a live endorsement that the issue matters enough to stop and act.

What to steal for your next cause-led campaign

  • Make the transformation physical. A tangible before-and-after beats a poster full of statistics.
  • Use the donation as the trigger. The action should only unlock after contribution, not before it.
  • Let participation create the content. The billboard changes because people change it.
  • Design for bystanders. Watching others erase is part of the persuasion.

A few fast answers before you act

What is the “Erasable Billboard” idea?

An illustrated billboard designed to be physically erased. Donors receive an eraser and reveal a second image underneath, shifting the story from girls working to girls going to school.

Why exchange a donation for an eraser?

Because it turns giving into an action. The eraser is a simple reward, but more importantly it is the tool that lets the donor create the transformation themselves.

What makes this more effective than a standard charity billboard?

It is participatory and observable. The public sees the billboard changing in real time, which builds social proof and makes the issue easier to grasp.

What is the main emotional lever?

Agency. The donor does not only learn about the problem. The donor performs a symbolic solution in front of others.

What is the biggest execution risk?

If the transformation is not instantly readable, people will not engage. The before-and-after needs to be obvious from a distance and satisfying up close.