Claro: Ringtowns

Turning coverage into something people can carry

Claro is one of the leading telecommunications companies in Guatemala and it faces a constant struggle to combat negative perceptions of their network coverage. So Ogilvy Guatemala created a campaign to counter these perceptions and communicate the wide coverage of Claro by involving consumers through their cellphones.

Imitating the sound of the traditional ringtones they communicated the names of towns and remote communities in the country. The campaign “Ringtowns” was based on local realities in Guatemala to create a strong sense of identity and pride, while communicating the wide coverage of Claro in an innovative manner.

The mechanic: make a town name sound like a ringtone

The product here is not a poster or a banner. It is a piece of audio people choose to install. Each ringtone is designed to sound like a familiar phone ring while “saying” a place name, so the coverage claim becomes something you hear repeatedly in daily life.

A “Ringtown” is a downloadable ringtone that encodes a specific town or community name into the audio, so the location itself becomes the message.

In telecom categories where coverage is questioned, making the proof travel through personal devices can outperform traditional persuasion because it shows up in real social moments.

Why it lands: social proof disguised as personalization

This works because it turns a skeptical claim. “We cover remote places.” into a personalized choice. If I download a ringtone that represents my town, then every time my phone rings in public, it signals both identity and reach.

That shift matters. It turns the coverage narrative from a corporate statement into a consumer-owned artifact that other people hear.

What Claro is really buying with this format

This is an awareness campaign that behaves like distribution. Downloads create repeat exposures. Call events create additional impressions. Sharing extends reach without extra media spend.

Most importantly, it reframes “coverage” from a technical map into a cultural map. Names and pride replace bars and statistics.

What to steal if you want participation without friction

  • Make the message a utility. If people can use it daily, frequency is built in.
  • Use identity as the opt-in. People adopt things that say something about where they are from.
  • Design for public replay. Ringtones happen around other people, which makes the message audible and social.
  • Keep distribution simple. Website download and text message fulfillment reduce barriers.

A few fast answers before you act

What is Claro’s Ringtowns campaign?

It is a mobile campaign that turns town and community names into ringtone-style audio. People download the ringtones, and every incoming call becomes a small, repeated reminder of Claro’s coverage.

How does it communicate network coverage without showing a map?

It uses place names as the proof. By turning remote locations into ringtones, the campaign suggests breadth of coverage through cultural recognition rather than technical claims.

Why is the ringtone format powerful for marketing?

A ringtone is repeated, public, and chosen by the user. That combination creates high frequency exposure with built-in social visibility.

What is the key participation mechanic?

Users download one of the “Ringtowns” from the Claro website or request it by text message. Installation is the commitment step that creates ongoing exposure.

What is the biggest risk if you copy this idea?

If the audio is annoying or the payoff feels unclear, people will not keep it installed. The artifact has to be genuinely usable, not just clever once.

Augmented Reality Calendar by Audi

An Audi calendar arrives and it looks almost wrong. Each month is a beautiful landscape, with a deliberate empty space and no car in sight. You open Audi’s iPhone app, point the camera at the page, and the missing piece appears. An Audi A1 fills the blank area in augmented reality, sitting inside the printed scene as if it belongs there.

The idea. A car calendar without cars

Audi takes a familiar format. The premium calendar. Then it removes the expected hero asset. The car. The calendar becomes an invitation to discover, not a static brand object.

How it works. Print as trigger, iPhone as lens

  • The printed calendar pages feature landscapes and intentional negative space.
  • People download and open the dedicated Audi iPhone app.
  • They point the phone’s camera at the calendar page.
  • The app overlays a car into the empty area, turning the page into a live scene.

The interaction is simple, but the effect is surprising because it uses a physical artifact as the interface. The calendar is not just content. It is the marker that activates the experience.

Why this works. A tangible product that earns a second look

This is not augmented reality for the sake of augmented reality. It is a clean integration of print and mobile that rewards curiosity. The calendar builds anticipation with absence, and the app completes the story in the moment you engage.

What to take from it. Designing the reveal

  • Use restraint to create intrigue. Removing the obvious element can be more powerful than showcasing it.
  • Make the physical object the trigger. When the real-world asset is the interface, the digital layer feels earned.
  • Keep the action obvious. Point camera. See result. Low friction beats complex onboarding.
  • Build around a single wow moment. One crisp reveal is often enough to make the experience memorable.

This idea is developed by Neue Digitale / Razorfish Berlin and executed for Audi.


A few fast answers before you act

What is Audi’s augmented reality calendar?
A printed Audi calendar designed to work with an iPhone app, where pointing the phone camera at a page reveals a car in augmented reality.

What is the core creative twist?
It is a car calendar without cars. The car appears only when you view the page through the app.

What role does the calendar page play?
It acts as the trigger. The printed layout and empty space are intentionally designed to be “completed” by the AR overlay.

What makes it effective as a brand experience?
It turns a passive object into an interactive reveal, linking print, mobile, and product desire in one simple action.

What is the transferable pattern for other brands?
Design a physical artifact that creates curiosity, then use mobile to deliver a single high-impact reveal with minimal friction.

Dentsu: iButterfly Location-Based Coupons

Coupons with wings: iButterfly turns deals into a mobile hunt

Here is a great example of Online, Mobile and Shopper Marketing converging with Augmented Reality (AR). Integrated Marketing literally put into the hands of the people.

Japanese ad agency Dentsu has started this experimental coupon download platform called iButterfly on the iPhone. The free iPhone app transforms the habit of collecting coupons into a fun little game using AR and the device’s GPS.

The mechanic: catch a butterfly, unlock a coupon

The app tasks its users with catching virtual butterflies that are flying around, each representing one or more coupons. You can even share “butterflies” with your friends via Bluetooth.

Augmented reality in this context means the phone camera view becomes the backdrop, while digital objects. Here, butterflies. are overlaid and tied to location signals like GPS.

In retail and FMCG shopper marketing, the value of this approach is that promotions become a location-linked experience, not a passive download.

Why this format works for targeted promotions

The key shift is motivation. People are not “clipping” coupons. They are playing a simple collecting game, and the reward is a deal that feels earned.

Because butterflies can be placed around specific areas, the mechanic supports targeting by place and moment. That makes the coupon feel context-aware rather than generic.

What Dentsu is really prototyping here

This is less about novelty AR and more about a new distribution behavior. Turning offers into collectible objects changes how often users open the app, how long they stay in it, and how naturally they talk about it with friends.

It is also a rare example where “share with a friend” is not a marketing CTA. It is a gameplay action that carries the promotion with it.

What to steal for your own shopper activation

  • Make the reward immediate. Catch. Unlock. Redeem. Long funnels kill the game loop.
  • Use location as a story, not a filter. Place rewards where people already go, so the map feels meaningful.
  • Let sharing be part of the mechanic. A tradable object beats a generic “share this” button.
  • Keep the collection simple. If users need a manual, they will not hunt.

A few fast answers before you act

What is iButterfly?

iButterfly is a mobile coupon platform that turns deal collection into a location-based AR game. Users catch virtual butterflies on their phone and unlock coupons as rewards.

How does the AR coupon mechanic work?

Users view the real world through the phone camera. Virtual butterflies appear and can be “caught”. Each butterfly contains one or more offers, which unlock after capture.

Why is this relevant for shopper marketing?

It shifts promotions from passive browsing to active discovery. Location and gameplay increase attention, repeat usage, and the likelihood of in-the-moment redemption.

What makes it feel targeted rather than random?

Butterflies can be tied to locations and contexts via GPS. That links the offer to where the shopper is, not just who they are.

What is the biggest execution risk?

If redemption is hard or the rewards feel weak, the novelty wears off fast. The game loop only survives when the payoff is clear and friction stays low.