Lexus GS: NFC-Enabled Print Ad in WIRED

Lexus GS: NFC-Enabled Print Ad in WIRED

A print ad sits inside WIRED, but it behaves like a link. Hold an NFC-enabled phone (NFC is short for near-field communication) to the page and a Lexus GS demo opens on your device, without scanning a code or typing a URL.

Brands like Mercedes Benz, Reporters Without Borders, Volkswagen etc have all been working hard to create clutter breaking and engaging print ads.

In this latest example of an interactive print ad, WIRED magazine and Lexus have teamed up to create what they describe as the first mass-produced print ad embedded with an NFC tag. The ad, reported as appearing in 500,000 subscriber copies of WIRED’s April issue, lets readers with NFC-enabled phones access a demo of the Lexus GS 2013’s Enform App Suite simply by holding their phone up to the ad.

A tap replaces the scan

The mechanism is straightforward. An NFC tag is embedded into the page, and the phone reads it when placed close to the printed area. That single “tap” launches a mobile experience that can demonstrate features and apps without requiring camera alignment or extra steps. Because the tap collapses multiple steps into one, the handoff feels effortless.

In global publishing and automotive marketing, bridging print to mobile works best when the handoff is faster than habit, and simple enough to do without thinking.

Why this matters for print innovation

Most interactive print relies on behavior people already associate with effort, like scanning codes or typing. NFC flips that. The interaction feels like “just place phone here”, which is closer to natural curiosity than task completion.

Extractable takeaway: NFC works in print when it replaces effort with instinct. Design the handoff as a single tap that proves value immediately.

Definition-tightening: NFC tags in print are typically passive. The page is not powered. The phone provides the energy and reads a short payload that triggers a destination on the device.

What Lexus is really buying

This is a modern product story told through a legacy medium. The GS positioning leans into connected experiences, so demonstrating an app suite through a connected print interaction reinforces the message at the exact moment of discovery.

The real question is whether the tap reinforces the product promise at the moment of discovery.

Steal this pattern for interactive print

  • Design for one gesture. If it takes more than a tap, many readers will not try.
  • Reward instantly. The first screen after the tap should feel like a payoff, not a loading screen.
  • Make the print do real work. Print should provide context and desire. Mobile should provide depth and demonstration.
  • Plan for non-NFC readers. If the print idea relies on a capability not everyone has, ensure there is still a clear alternate path.

A few fast answers before you act

What makes this WIRED ad “interactive”?

The page contains an embedded NFC tag. Tapping an NFC-enabled phone to the ad launches a Lexus GS mobile demo experience.

Why use NFC instead of a QR code?

NFC removes the camera step. A tap is faster and tends to feel easier than scanning, which can increase participation.

Do you need a special app to use an NFC print ad?

Typically no. If NFC is enabled, the phone reads the tag and opens the linked mobile experience using standard system behavior.

What is the key benefit for the advertiser?

A lower-friction bridge from print attention to a measurable digital demo, without breaking the reading flow as aggressively as “go type this URL”.

What is the biggest execution risk?

Compatibility and clarity. If readers do not have NFC, or do not understand where to tap, the interaction collapses back into a normal print ad.

Jimmy Kimmel: First Look at iPhone 5

Jimmy Kimmel: First Look at iPhone 5

The iPhone 5 still has some weeks to go before it is officially available. That little detail did not stop talk show host Jimmy Kimmel from giving random people on the streets a chance to “test” the iPhone 5, which was actually just an iPhone 4S.

How the prank works

The mechanism is simple: present a familiar object as a new one, then ask for first impressions on the spot. The humor comes from watching people project “newness” onto something they are already holding, then confidently describe improvements that cannot be there because nothing changed.

In consumer tech launches, perceived novelty often shapes first impressions as much as real novelty does.

The real question is whether the launch story is shaping the feedback you think you are collecting.

Why it lands

The segment exposes expectation marketing in real time, meaning the expectation itself becomes part of the perceived product experience. It makes a point without preaching. It lets people’s own words demonstrate how branding, timing, and context can change what we think we are seeing.

Extractable takeaway: When audiences expect a breakthrough, they interpret ambiguous cues as improvements. Marketing and product teams should separate product experience from launch narrative when they need truth, because the narrative can become the experience.

It turns product hype into a social mirror. Viewers do not only laugh at the interviewees. They recognize the pattern, because everyone has “felt” an upgrade before they could name a feature.

It is edit-friendly proof. Quick street soundbites create a fast rhythm and a clear punchline. The format is built for sharing because each reaction is a self-contained beat.

Borrowable moves from the iPhone prank

  • Use a clean, repeatable setup. One premise, one question, many reactions. The simplicity is what creates volume and pace.
  • Build the contrast into the reveal. The punchline is strongest when viewers understand that the object never changed.
  • Let the audience diagnose the insight. Showing beats telling. The segment works because the viewer reaches the conclusion themselves.

A few fast answers before you act

What is the core joke of the segment?

People are asked to review a “new” iPhone, but they are actually holding an older model, and many still describe it as better.

What does this say about consumer perception?

That context and expectation can shape what people think they notice, especially when differences are subtle or undefined.

Is this a critique of Apple or of people?

It plays more like a critique of hype mechanics and social pressure in “first impression” moments than a critique of one brand.

Why is the street-interview format effective here?

It creates instant, unscripted soundbites, and the variety of reactions keeps the piece moving.

What is the practical lesson for marketers and product teams?

If you need truth, test products in neutral conditions. If you want buzz, understand that the story around a product can amplify perceived value, sometimes beyond what the product alone delivers.

Billboard Brasil: On Hold Jam Session

Billboard Brasil: On Hold Jam Session

You call a magazine subscription line and get put on hold. Instead of elevator music, you get a prompt that turns your phone keypad into an instrument, so you can jam along while you wait.

Turning hold time into play time

Billboard Magazine features the best of pop music and entertainment in Brazil and, as they frame it, waiting on hold is one of the most boring music moments ever. So their ad agency AlmapBBDO creates the “On Hold Jam Session”, which makes the moment into a fun interactive experience and reflects the magazine’s concept of music and entertainment.

To make the magazine subscribers aware of this new on-hold feature, they send direct mail explaining how one could jam along with their phone buttons when they are put on hold at Billboard Magazine.

Why the mechanic is so effective

The mechanism is simple. Use the tones behind the phone keypad to trigger musical parts, so every button press feels like progress. It replaces passive waiting with viewer control, meaning the caller can shape what they hear in real time. That changes the emotional quality of the same time slice.

Extractable takeaway: If you cannot remove a wait, give people one simple action that produces immediate feedback, so the time feels shorter and more personal.

Definition-tightening: this works because phone buttons generate distinct audio tones that can be mapped to beats, riffs, or samples. The caller does not need instructions beyond “press keys to play”.

In subscription media and entertainment brands, turning unavoidable waiting into a participatory moment is a direct way to make the brand feel lived, not just consumed.

What Billboard is really buying

This is not a content campaign in the usual sense. It is a brand behavior demonstration. If Billboard is about music culture, the brand should show up even in the most unmusical moment, customer service hold time. The real question is whether your brand shows up when the customer is stuck, not only when the customer is browsing.

It also reframes a service weakness into a memorable touchpoint. The caller is more likely to tolerate the wait, and more likely to talk about the experience afterward.

Patterns for turning dead time into play

  • Target dead time. Waiting, queuing, loading, and holding are underused attention windows.
  • Make the first interaction obvious. One prompt, one action, instant feedback.
  • Turn friction into a feature. If the wait cannot be removed, redesign what the wait feels like.
  • Promote it with a physical cue. Direct mail works here because it sets expectation before the call happens.

A few fast answers before you act

What is the “On Hold Jam Session” idea?

It turns phone hold time into a playable music moment by letting callers create beats or melodies using their keypad while they wait.

Why does interactivity matter when someone is on hold?

Because it converts passive waiting into active participation, which reduces boredom and makes the time feel shorter.

How do phone buttons become a music controller?

Each keypad press produces a distinct tone that can be mapped to sounds. The system listens for the tones and triggers matching audio parts.

What is the business benefit beyond “fun”?

A better service experience, higher memorability, and a stronger brand association, plus increased word of mouth because the moment is easy to describe.

What is the main execution risk?

If the audio feedback is delayed or confusing, callers will abandon the interaction and it becomes just another frustrating hold.