The Noite: Troll Ad Button

To promote a new season of The Noite, Publicis Brasil plays directly with a habit online video has trained into everyone. Skip the ad and move on.

Instead of treating that skip as the enemy, the campaign introduces a second choice. Viewers can click either “Skip Ad” or “Troll this ad”. The “troll” option leads to an unexpected piece of content that stays connected to the original message, and the campaign claims the result was four times more views than comparable pre-roll.

Turning a skip moment into a choice

The mechanic is not more targeting or louder creative. It is viewer control at the exact moment attention usually collapses. If you want to leave, you can. If you want to “troll”, you get rewarded with a playful detour that still carries the show.

In online video advertising, where skippable formats condition people to minimize attention, a simple interactive choice can convert avoidance into participation.

Why it lands

This works because it admits the truth of the format. People dislike being delayed. So the campaign reframes the pre-roll as a game with an opt-out, not a lecture with a countdown. The second button also creates curiosity, because it promises a different outcome than the usual “wait or skip” loop, and curiosity is one of the few reliable reasons people volunteer attention.

Extractable takeaway: If your audience’s default behavior is to escape, build a choice that makes staying feel like a self-directed action, then pay it off immediately with content that still ladders back to the brand.

What the show is really optimizing

The stated win is views, but the deeper win is sentiment. The Noite positions itself as culturally fluent in the platform’s frustrations, and that makes the promotional message feel less like interruption and more like shared humor. It is a promotion that behaves like entertainment.

What to steal

  • Design at the drop-off point. Put your idea where attention usually dies, not after it.
  • Offer a real opt-out. Interactivity only feels fair if “leave” is genuinely available.
  • Make the alternate path rewarding fast. The payoff has to arrive immediately or the trick reads as manipulation.
  • Keep it on-message. The detour can be weird, but it should still be clearly linked to the original proposition.

A few fast answers before you act

What is the “Troll Ad Button” idea in one line?

A skippable pre-roll that adds a second option, “Troll this ad”, so viewers choose a playful alternate experience instead of simply skipping.

Why is a second button more effective than a better pre-roll film?

Because it changes the relationship with the format. It turns the moment into a decision the viewer owns, which can trigger curiosity and voluntary attention.

What metric did the campaign claim?

That it generated four times more views than similar pre-roll executions.

What is the key risk with “interactive pre-roll” mechanics?

If the alternate option is not genuinely different or feels like a trick, viewers punish the brand with distrust and faster skipping next time.

When should you use this pattern?

When your audience already expects to skip, and your brand can credibly reward curiosity with content that feels entertaining and immediate.

Netflix: The Friendly Pre-Roll Campaign

How do you make a sitcom like Friends, which went off the air 12 years ago, a year before YouTube even existed, seem relevant to online video viewers today.

To promote the ability to stream all 10 seasons, Netflix launched a nostalgic pre-roll campaign built on a simple insight: no matter what you search for or watch, there is almost always a Friends moment that relates to it. The execution was described as tagging thousands of videos so that the pre-roll you see matches the context of what you are about to watch.

Contextual nostalgia, delivered as a punchline

The mechanism is a library-plus-matching system. Take a deep archive of instantly recognizable scenes. Build a mapping between common viewing contexts and a specific Friends clip that “fits”. Then serve those clips as short pre-rolls in front of the videos people already watch, so the relevance lands before the viewer has time to skip.

In subscription streaming marketing, making older catalog content feel culturally current often depends on matching the show to what people already care about in the moment.

Why it lands

This works because it flips pre-roll from interruption into payoff. Instead of asking viewers to care about Friends, it proves the show’s range by meeting them inside their existing interests. The result feels like the platform “gets you”, and the show feels less like nostalgia and more like a living reference library.

Extractable takeaway: If you can match your IP to the viewer’s current context fast and accurately, you turn targeting into entertainment. Entertainment earns attention where generic pre-roll loses it.

What to steal

  • Build a mapping, not a montage: relevance comes from one perfect clip, not from throwing many at the viewer.
  • Exploit depth as a feature: long-running shows have breadth. Treat that breadth like a targeting asset.
  • Design for the skip button: the first seconds must communicate “this is for you” immediately.
  • Let the idea do the explaining: the best contextual ads are self-evident without a voiceover.
  • Use nostalgia as utility: the memory hit matters, but the contextual “fit” is what makes it feel current.

A few fast answers before you act

What is “The Friendly Pre-Roll Campaign”?

It is a Netflix campaign that uses short Friends scenes as pre-roll ads, matched to the context of what people are searching for or about to watch.

Why use Friends for this?

Because the show has a huge library of recognizable moments across everyday topics, which makes contextual matching feel natural rather than forced.

What makes this different from uploading clips to a channel?

The value is in placement and matching. The clip appears where the viewer already is, and it relates to what they are doing right now.

What is the core marketing job it solves?

It makes older content feel current by connecting it to today’s viewing contexts, instead of relying on “remember this” nostalgia alone.

What is the biggest execution risk?

Bad matching. If the clip feels irrelevant, the magic collapses and the pre-roll becomes just another interruption.