Heineken Departure Roulette En Route

Heineken spots the tweets. Then they make them real. People watch the original Departure Roulette stunt and post the inevitable line on Twitter: “I’d press the button.” Heineken takes that public intent seriously. They track down a few of the people who tweet about wanting to play. Then they offer them the chance to play Departure Roulette on the spot. Real time, real commitment, no rehearsal.

If you want the backstory first, the original Departure Roulette activation sets the frame: a physical roulette board at JFK Terminal 8. One red button. Press it and you accept a new destination immediately. Read about the original here.

What “En Route” gets right: it turns social intent into action

The smartest part of this follow-up is not the surprise. It is the mechanism. Heineken treats social conversation as a live signal of willingness, not just commentary. People are no longer reacting to a brand story. They are pulled into it.

It rewards declared intent in public

A tweet is a lightweight commitment. Heineken upgrades it into a real decision. The gap between “I would” and “I did” becomes the content.

It closes the loop from earned media to owned experience

The original stunt earns attention. The follow-up re-enters the stream where that attention lives. Social becomes a trigger for a real-world activation, not just a distribution channel.

It stays consistent with the campaign’s core promise

Departure Roulette is about spontaneity and courage. The follow-up keeps the same proposition, just delivered to a different moment and audience.

How to reuse this pattern without copying the stunt

  1. Define the “press the button” moment. Pick one unmistakable action that proves intent.
  2. Listen for explicit triggers, not vague sentiment. Look for “I would,” “I want,” or “If you did this I’d…” rather than likes alone.
  3. Respond fast enough that it feels connected. If the follow-up arrives too late, it reads like a promotion, not a story.
  4. Make the commitment real, but safe. Build constraints on timing, eligibility, logistics, and consent.
  5. Capture the decision, not just the reward. The moment of choice is the asset. The prize is the justification.

What to measure beyond views

  • Intent volume. How many people explicitly say they would do it.
  • Conversion rate. Percentage of selected participants who actually commit when approached.
  • Time-to-response. How quickly you move from trigger to activation.
  • Amplification quality. Replies and quote-posts that debate “would you do it,” not just “nice video.”
  • Brand linkage. Whether the audience repeats the core idea (spontaneity, adventure), not just the prank.

Risks and guardrails that matter

  • Consent and privacy. Do not approach people in a way that feels extractive. Keep it clearly opt-in.
  • Safety and duty of care. High-stakes travel stunts need hard boundaries, support, and contingencies.
  • Credibility. The offer must be unquestionably real, or the story collapses into suspicion.
  • Operational readiness. The logistics are the product. If ops fail, the story turns.

A few fast answers before you act

What is Departure Roulette En Route in one line?

It is a social-powered follow-up where Heineken turns “I’d press the button” tweets into a real-world chance to do exactly that.

Why does it spread?

Because it stages a high-stakes, relatable decision in public: keep your plan, or choose the unknown.

What is the reusable strategy?

Treat public intent as a trigger for action. Then deliver a real experience that proves the brand promise.

What is the minimum viable version for a brand without travel budgets?

Reward declared intent with an immediate upgrade: surprise access, exclusive drop, instant appointment, or fast-track service.

Where does this go wrong fastest?

When it feels like surveillance, or when the logistics do not deliver on the promise.

TBWA Lisbon: Windows become Twitter billboard

TBWA was the last agency to move to Lisbon’s advertising district. With their top competitors already there, they decided to showcase their creativity by turning 19 windows of their office into a 36m long Twitter billboard.

The stunt is simple in concept and bold in execution. The office becomes the medium. Instead of hiding behind a reception desk and a logo, the agency uses its own facade as a live publishing surface for the public street.

Turning an address into a live channel

The mechanism is real-time social content made physical. Tweets appear across the windows, transforming an office building into a public conversation layer. It is not “social amplification” in the usual sense. It is a direct translation from a digital feed into a street-level display.

In dense urban environments, public-facing digital surfaces work best when they make participation visible, immediate, and shared by everyone on the street.

The video does not explain exactly how people were encouraged to send in their tweets, but it does show the breadth of what people shared. Tweets touch politics, taxes, Europe, Merkel’s visit, and more. That range matters because it signals that the billboard is not a branded script. It behaves like a live civic wall.

Why it lands in an ad district full of competitors

In a cluster of agencies, sameness is the enemy. This activation works because it creates a visible signature at the point of competition. People do not have to be invited inside to experience TBWA. The building itself is performing in public, and the audience can participate without crossing a threshold.

It also carries a little risk. Real-time public messages can be messy. That tension is part of the attention engine. It feels alive because it is not perfectly controlled.

The intent: differentiate through public participation

The business intent is positioning. TBWA is signalling modernity, openness, and confidence in real-time ideas. The agency is also using the street as a distribution channel to generate talk, foot traffic, and press interest.

And it worked. In the end, all the window tweeting created quite a stir in the local media.

What to steal from this window-billboard idea

  • Use your own real estate. If you have a facade, treat it as media, not architecture.
  • Make digital physical. The jump from screen to street creates instant novelty.
  • Design for participation. People engage more when they can see themselves appear in public space.
  • Accept a little mess. Real-time content feels credible because it is not overly polished.
  • Build for earned media. A visible public installation gives journalists something to film, not just to quote.

A few fast answers before you act

What is the TBWA Lisbon Twitter billboard?

It is a facade activation that turned 19 office windows into a 36m long display showing tweets in public, effectively making the building a live billboard.

Why does turning tweets into a window display work?

Because it makes online conversation visible in a shared physical space, which creates surprise, participation, and social proof.

How did it create attention beyond the street?

The visibility and real-time nature made it easy for people and local media to capture and share, turning a building into a story.

Is this more about branding or engagement?

Both. The engagement mechanic is participation, but the branding outcome is differentiation and positioning in a competitive district.

What is the key takeaway for agencies and brands?

If you want to stand out locally, build a public interface that lets people contribute and be seen. It creates talk faster than self-promotion.

Fiat 500 America TwitBid

Fiat unveiled an exclusive limited edition run of 500 cars inspired by U.S. style at the Geneva Motor Show. Then through a Twitter based auction they made it possible to win the “number one” car (distinguished by a badge on the external pillar bearing the serial number 1/500 and the winner’s Twitter nickname) starting from a bid of €1.

To win the Fiat, participants were directed to follow @fiatontheweb on Twitter and then place a bid at www.500America.fiat500.com using their Twitter account. As a result Fiat received 700 bids from 293 users, across 11 countries. A twitter follower with a bid of €15,165 was declared the winner of the limited edition Fiat 500 America.