The Great Banner Sale

GRAACC is a Brazilian hospital that offers free treatment for children with cancer.

Over the last few years GRAACC has used a number of innovative approaches to raising funds. This year with Ogilvy Brazil they undertook the great banner sale. Rather than simply asking people for money, they asked companies to donate banner space on their web sites. Then instead of using the banner space to promote the hospital, they sold the space to other companies and individuals.

And if you’re interested in GRAACC’s campaign for 2010, that was rather different too. They asked people to donate their whole website to the charity…

Nissan: Create Your Terrain

You hold your hands up to the webcam, and the landscape changes. Peaks rise, valleys drop, and a Nissan SUV gets challenged to drive across whatever terrain you just “sculpted” in mid-air. It takes an off-roading mindset and translates it into a simple piece of viewer control. Build a route. See if the car can handle it.

That is the core idea behind Nissan’s “Create Your Terrain,” built by TBWA\RAAD to help launch Nissan’s SUV family in the Middle East. Instead of showing capability with another glossy montage, it invites off-roaders to invent the terrain first, then watch the vehicle conquer it.

Create Your Terrain uses webcam detection as the input method. In plain terms, the camera reads your gestures and turns them into a terrain editor, so you can shape dunes and obstacles without a mouse or controller.

In automotive marketing, the strongest digital launches turn enthusiast culture into an interaction loop, not a viewing moment.

The microsite (www.createyourterrain.com) was reported to have attracted thousands of user-made terrains, adding up to more than 80,000 square kilometres of created landscape. The build is also credited with recognition at Dubai Lynx 2011 (Bronze, Microsites & Websites) and a GEMAS Effies 2011 finalist placement (Automotive), which fits the ambition. Make the product story feel earned through play, not told through claims.

Why this mechanic fits off-roading

Off-roading is personal. Everyone has their own “perfect line,” their own idea of what counts as a challenge, and their own pride in tackling terrain others avoid. This activation borrows that psychology. The viewer creates the course, so the payoff feels like their test. Nissan just shows up to pass it.

What Nissan is really buying with “Create Your Terrain”

This is not only a tech demo. It is a positioning move. The message is that Nissan’s SUVs can handle anything, including terrain you have never seen before. And because the experience is interactive, it naturally increases dwell time, encourages sharing, and gives people a reason to return and try a “harder” build.

What to steal for your own interactive launch

  • Let the audience create the challenge. Self-made tests feel more authentic than brand-made obstacles.
  • Use input that matches the story. Gestures and a webcam make “hands-on terrain” feel physical, not like another web game.
  • Keep the loop tight. Create. Challenge. Watch. Repeat. The shortest loop is the one people replay.
  • Design for bragging rights. The shareable unit is not the ad. It is “my terrain” and “my result.”

A few fast answers before you act

What is “Create Your Terrain” in one sentence?

It is an interactive Nissan microsite where webcam-based gestures let viewers build a digital off-road landscape and then challenge a Nissan SUV to drive across it.

Why does viewer-created terrain matter?

Because it flips the usual launch pattern. Instead of the brand defining the challenge, the audience defines it. That increases personal investment and makes the capability story feel more credible.

What does “webcam detection” mean here?

It means the experience uses the camera feed to interpret basic gestures as inputs, turning the viewer’s hands into a simple controller for shaping the terrain.

What is the key takeaway for digital campaign design?

Build an interaction loop that mirrors real-world behaviour. When the mechanic matches the passion. In this case building and conquering terrain. people stay longer, replay more, and share more naturally.

What is a common failure mode for experiences like this?

Overcomplicating the first minute. If setup is fiddly, calibration is fragile, or the payoff is slow, people bounce before the “magic” lands.

Orange UK: Singing Tweetagrams

When “say it on Twitter” becomes “say it in song”

Got a friend who needs cheering up? Or maybe you just want to tell them that you love them, miss them, or really like their new haircut. Now you can say it with Orange UK’s new singing tweetagram.

The mechanic: hashtags in, custom songs out

It works like this. You write the tweetagram message to someone, adding the hashtag #singingtweetagrams. Orange then picks the best ones and has the Rockabellas record the message in song within a few hours. Orange then uploads the song and tweets it to you with a link, so you can send it on to the person.

A tweetagram is a short message written in the native language of Twitter, then converted into a personalized media artifact that feels like it was made for one person.

In consumer social marketing, the strongest hashtag activations reward participation with a tangible output that people can share without extra explanation.

Why it works: the reward is the content

The clever part is that the prize is not a discount or a badge. The prize is the thing you actually want to share. A custom song is inherently gift-like, and it gives the sender social credit while giving the receiver a genuine moment.

This also reduces the usual user-generated content risk. Users write the raw line, but the brand controls selection, production, and final output quality.

When a brand turns a user’s message into a polished artifact and returns it quickly, it converts “engagement” into a keepsake. That creates higher motivation to participate and higher likelihood of forwarding.

The operational question: can Orange produce at internet speed?

The question will be whether they can keep up the pace set by Wieden + Kennedy in its Old Spice effort, which was described at the time as producing more than 180 videos in a couple days and pumping out responses nearly immediately.

That comparison matters because the magic is not only the idea. It is the turnaround time. If the lag feels slow, the moment passes and the sender stops feeling clever for trying.

What to steal if you want this to travel

  • Make the output unmistakably personal. Names, in-jokes, and direct address beat generic templates.
  • Return value fast. “Within hours” is part of the product, not a service detail.
  • Keep creation native. Let people use the platform behavior they already know. Here it is a tweet plus a hashtag.
  • Curate to protect quality. Selection is a feature. It keeps the final artifacts share-worthy and on-brand.

A few fast answers before you act

What is Orange UK’s Singing Tweetagrams campaign?

It is a Twitter-based activation where people post a message with #singingtweetagrams. Orange selects some messages and has the Rockabellas record them as short personalized songs, then sends the result back as a shareable link.

Why is “speed” so important in this format?

Because the sender’s motivation is tied to the moment. Fast turnaround keeps the interaction feeling live, current, and socially relevant.

What role does curation play in making it work?

Curation protects output quality and brand tone. Users provide raw inputs, but the brand controls which messages become finished content.

How is this different from typical user-generated content contests?

The reward is not external. The reward is the finished content itself, which is designed to be shared and kept.

What is the biggest execution risk?

Production bottlenecks. If demand outpaces recording capacity, turnaround slows and the concept loses the real-time feeling that drives participation.