Category: Emerging Trends

Sprint: Unlimited Love Billboard in Times Square

You are in Times Square and a billboard asks a simple question. What do you love. You tweet your answer with #EVOLOVE to @sprint, and the screen answers back with places in New York City where you can find it.

Sprint in the USA created an integrated advertising campaign for the launch of the HTC EVO 4G LTE phone on their network. To launch EVO in New York City they set up an interactive billboard in Times Square that encouraged visitors to tweet things they love with #EVOLOVE to @sprint. Then, with the help of local experts, the billboard re-tweeted locations of where these things of love could be discovered in New York City.

In consumer technology launches and telco marketing, social-to-DOOH loops turn a landmark screen into a real-time recommendation engine that people can influence from their own phones.

Why the mechanic works

The mechanism is a clean exchange. You give the brand a public signal. A tweet about something you love. The brand gives you an immediate, useful response. A location you can act on right now. That “reply with value” is what turns a hashtag prompt into participation.

It also creates a visible social proof layer. The billboard is not only showing Sprint’s message. It is showing other people’s messages, which makes the campaign feel alive and current while you are standing there.

What Sprint is really buying

This is a launch tactic that behaves like service. It positions the EVO as a device you use to discover the city, not just a phone with specs. At the same time, it lets Sprint demonstrate “unlimited” as a lived experience. Always on, always connected, always responding in real time.

What to steal for your next interactive OOH idea

  • Make the input obvious. One hashtag. One handle. One sentence prompt.
  • Return something concrete. Maps, directions, a nearby place, a clear next action.
  • Curate the response layer. “Local expert” guidance beats generic automation for relevance and trust.
  • Design for the crowd and the clip. The street moment should be fun to watch. The video should still work without being there.

A few fast answers before you act

What is the Sprint #EVOLOVE Times Square billboard?

A digital billboard that invites people to tweet what they love with #EVOLOVE to @sprint, then responds by showing where in New York City they can find that thing.

Why connect Twitter to a billboard instead of running a normal DOOH spot?

Because participation becomes the content. The screen stays fresh, people feel seen, and the interaction creates a public spectacle that attracts more participants.

What is the “value exchange” in this campaign?

The user provides a public message and attention. The brand provides a timely, useful recommendation and makes the user visible on a high-profile screen.

What makes this different from simply displaying tweets on a screen?

The reply layer. The billboard does not only mirror tweets. It answers them with specific places and directions, which turns social chatter into utility.

What is the biggest execution risk?

If the responses feel slow, generic, or off-topic, people stop playing. The campaign only works when the replies feel genuinely relevant in the moment.

Fantastic Delites: Human lab mice wheel stunt

People zip into mouse suits, step into a giant wheel, and start running. Keep the pace. Do not tumble. Hold the speed long enough and the reward drops. A free pack of Fantastic Delites, earned the hard way.

This “human lab mice” stunt from Fantastic Delites and agency Clemenger BBDO follows the earlier interactive vending machine installation, where the Delite-o-matic pushed people through button mashing and silly tasks for the same prize. The idea stays consistent. If the snack is worth it, you will work for it.

In Australian FMCG sampling, the fastest way to earn attention is to turn trial into a story people want to watch, not a handout people walk past.

The mechanism is brutally clear. The audience understands the rules in one glance, then sticks around for the inevitable slips, recoveries, and wipeouts. That is what makes it shareable. The product is the trophy, but the entertainment is the price of entry.

Why the “lab mice” framing works

It flips the usual sampling dynamic. Instead of the brand chasing you with freebies, you chase the freebie. The mouse wheel is a physical metaphor for craving and persistence, and the costumes make the whole thing socially safe to laugh at.

What the brand is really buying

This is not a rational product argument. It is a proof-by-behaviour message. When real people are willing to look ridiculous for a snack, the snack gets a shortcut to “it must taste good.” The activation also turns one giveaway into many impressions, because spectators become the media.

What to steal for your next sampling idea

  • Make the rules readable from 10 meters away. If people cannot explain it instantly, they will not stop.
  • Build a loop that produces moments. Near-fails, fails, retries, wins. That is natural entertainment.
  • Keep the reward proportional. Small prize, big fun. The contrast is the joke.
  • Design for a crowd. If spectators are part of the experience, distribution comes for free.

A few fast answers before you act

What happens in the Fantastic Delites “lab mice” stunt?

Participants wear mouse costumes and run inside a giant wheel. They have to maintain speed long enough to earn a free pack of Fantastic Delites from the Delite-o-matic.

Why does this count as effective sampling?

Because it turns product trial into a public spectacle. The giveaway is small, but the attention is large, and the story is easy to retell.

How is this connected to the Delite-o-matic?

It uses the same behavioural premise. People will do surprisingly effortful things for a free snack, and that behaviour becomes the message.

What is the key design principle behind this kind of activation?

Clarity plus consequence. Clear rules create instant understanding. Visible failure creates tension and humour. Together they keep people watching.

What is the biggest risk with “challenge for reward” stunts?

Making the challenge feel unfair or too slow. If success looks impossible, the crowd loses interest. If success looks too easy, there is no drama.

Omote 3D: The 3D Printing Photo Booth

Ever wanted a life-like miniature action figure of yourself. Not a cartoon avatar, but a small, physical replica you can hold in your hand.

Omote 3D makes that possible by setting up what is billed as the world’s first 3D printing photo booth for a limited time at the Eye of Gyre exhibition space in Harajuku, Japan.

From November 24 through January 14, 2013, people with reservations can have their bodies scanned into a computer. Then, instead of a photograph, they receive miniature replicas of themselves.

The miniature replicas are available in three sizes. S (10cm), M (15cm) and L (20cm) for US$264, US$402 and US$528, respectively.

In consumer experiences where attention is scarce and products are increasingly interchangeable, turning personalization into a tangible object is a reliable way to earn talk value and remembrance.

Why this “photo booth” feels like a shift

The mechanism is the message. A booth that normally captures a flat memory instead captures a 3D dataset, then materializes it into a keepsake. The output is not content you scroll past. It is content you place on a shelf.

Definition-tightening: this is not 3D “photography” in the traditional sense. It is full-body 3D scanning plus full-color 3D printing, packaged in a familiar photo booth ritual.

What makes it work as an exhibition idea

The booth turns the visitor into the exhibit. It also turns waiting and anticipation into part of the experience, because the “print” is a manufactured object, not an instant print strip. That shift makes the end result feel earned and premium.

What to steal if you build brand experiences

  • Use a familiar ritual as the wrapper. “Photo booth” is instantly understood, even when the technology is new.
  • Make the output physical. Physical artifacts extend the campaign life long after the pop-up closes.
  • Price by meaning, not by material. People pay for identity and memory, not for plastic and ink.
  • Gate with reservations when demand is the story. Scarcity plus scheduling can reinforce that this is special.

Additionally click here to see how Polskie Radio in Poland has used 3D printing technology to market their website.

A few fast answers before you act

What is Omote 3D’s 3D printing photo booth?

It is a pop-up booth that scans your body in 3D, then produces a full-color miniature figure of you instead of a standard photo print.

Why call it a “photo booth” if it prints a figure?

Because it borrows the familiar booth ritual. You step in, you get captured, and you leave with a keepsake. The technology changes, but the mental model stays simple.

How is the miniature created?

Your body is scanned into a 3D model, then the final figure is manufactured via 3D printing in full color and finished as a physical object.

What sizes are offered and what do they cost?

Three sizes are offered. 10cm, 15cm, and 20cm. The listed prices are US$264, US$402, and US$528, respectively.

What is the marketing lesson for brands?

Personalization becomes more valuable when it becomes tangible. A physical output turns novelty tech into an object people keep, show, and talk about.