
LEGO has recently launched an advertising campaign in France based on the theme of the child’s creativity with the line “We forgive everything to their creativity”.
Click here to watch the video on AdsSpot website.

LEGO has recently launched an advertising campaign in France based on the theme of the child’s creativity with the line “We forgive everything to their creativity”.
Click here to watch the video on AdsSpot website.

Since 2010 I have covered how different agencies around the world have been innovating with their recruitment campaigns. Now here are the latest two to join the list…
Today young web designers need to buy very expensive application suites in order to create. So they usually download these suites on illegal pirate websites. Ogilvy Brussels used this insight and uploaded a file that was supposed to be a wanted application suite. When the web designers downloaded it, they did not find the new suite but a much stronger offer…
Wieden+Kennedy wanted to recruit community managers for its client Old Spice. So they came up with a crazy/fun/impossible idea. Candidates were given 5 days to complete one or more challenges listed below and then submit proof of their exploits…

You walk into IKEA and find a room that is not finished. It is counting down. Each day the space changes again, styled with new catalogue products, like the store itself is teasing what is about to arrive.
That is the idea behind IKEA’s in-store Catalogue Countdown Room in Singapore and Malaysia. After previously re-imagining the 2013 catalogue with visual recognition technology that brought pages to life, this launch moment focuses on anticipation and theatre inside the store. It turns the catalogue release into a daily event that people can watch, not just pick up.
In practice, the countdown room is refreshed repeatedly as the countdown progresses, then broadcast live via IKEA’s Facebook presence so the excitement travels beyond the store floor.
In omnichannel retail marketing, the most repeatable “launch” pattern is to make one physical moment behave like media, then let social distribution carry it further than paid reach alone.
Catalogue launches usually arrive with a shrug. Everyone expects them, so attention is low. A countdown reframes the arrival as something you can miss, and that creates urgency. The room format also makes the catalogue feel less like a book and more like a living set of ideas you can step into.
The room is a content engine. Each refresh creates a new “moment” for store visitors, and a new visual for social. This is why the idea scales. It can host small performances, demos, and micro-events without needing a different concept every day. The catalogue becomes the raw material.
It is an in-store installation that changes during a countdown to the new IKEA catalogue launch. The room is repeatedly restyled using catalogue products, and the changes are shared through social channels.
A countdown adds scarcity and rhythm. People know something is happening each day, so they return, check in, and talk about what changed instead of treating the catalogue as background noise.
The same story runs across the store, social distribution, and supporting communications. The room creates the physical event. Social extends it beyond store visitors. The catalogue provides the content foundation.
Do not try to communicate everything at once. Create a single repeatable format that can spotlight different products over time, so attention compounds across multiple touchpoints.
If the daily payoff is weak, people stop checking. The room needs visible change and a reason to watch each day, otherwise the countdown becomes decoration.