Euro RSCG: Foursquare Mayor Recruitment

Euro RSCG: Foursquare Mayor Recruitment

Guerrilla recruitment via social channels is gaining popularity among agencies. In this example, Euro RSCG Brussels used Foursquare to seek out digital talent.

The team at Euro RSCG drove around Brussels every day and checked in at leading agencies. After they became the “Mayor” of targeted agencies, they released their recruitment messages.

Foursquare as a recruitment billboard

The mechanism is simple and slightly mischievous. Foursquare rewards repeated check-ins at a venue with the “Mayor” status. Euro RSCG uses that status as the placement, then drops hiring messages where competitors’ people are most likely to notice them. It works because the platform-granted title creates visible relevance at the exact venue where rival talent is already paying attention.

In competitive digital-talent markets, employer branding works best when it shows up inside the daily tools and rituals your target audience already uses.

Why it lands

It is instantly understandable, and it leverages a public platform rule rather than buying attention. The move also signals confidence. “We are willing to compete for talent in plain sight.” Used with restraint, this is a smart recruiting idea because it turns ordinary check-in behaviour into targeted employer visibility. The real question is whether the platform rule makes the message feel natively relevant or just makes the stunt feel intrusive. At the same time, it walks a fine line. If it feels like harassment rather than humour, the tactic can backfire.

Extractable takeaway: If you use a social platform as a recruiting channel, make the entry mechanic native to the platform and keep the message playful, specific, and respectful, or it will read as desperation.

Other examples of agencies using social media to attract talent are:

Recruitment moves worth borrowing

  • Target by context, not by demographics. “Where do the people I want already spend attention?” is often the better question.
  • Use platform rules as media. When the channel itself creates the placement, participation feels less like advertising.
  • Keep the call to action tight. One clear role or value proposition beats generic “we’re hiring.”
  • Anticipate the ethics. If you would not want a competitor doing it to you, adjust tone and frequency.
  • Design for screenshots. If the message is worth sharing, the audience will distribute it for you.

A few fast answers before you act

What is the Euro RSCG Foursquare idea in one sentence?

It is a recruitment tactic where Euro RSCG repeatedly checks in at competitor agency venues on Foursquare, becomes “Mayor,” then posts hiring messages to reach digital talent.

Why does “Mayor” status matter?

Because it is a visible, platform-granted position at a location. That makes the recruitment message feel placed “inside” the venue’s social layer rather than pushed from outside.

What makes this more effective than a standard job post?

It targets people by environment and habit. The message shows up where relevant talent is likely to be, not where job ads usually live.

What is the main risk?

Reputation. If the move feels aggressive, disrespectful, or creepy, it can damage employer brand faster than it attracts candidates.

How do you measure success?

Qualified inbound applications attributed to the tactic, social sharing and sentiment, and whether awareness among the intended talent pool increases without negative backlash.

Marmite: Bringing Home the Kiwis

Marmite: Bringing Home the Kiwis

A centenary gift that tastes like home

Sanitarium Marmite is a Kiwi staple and a national icon of 100 years. Today, one in five Kiwis live abroad. Many of these 600,000 Kiwis miss their Marmite, as it is hard to get overseas.

So to commemorate its 100th year in New Zealand, Ogilvy Auckland launched a contest which reunited long-lost Kiwis with their homeland and everything they love about it, including Marmite.

The mechanic: one-way tickets as a proof of intent

All the interested candidates had to do was tell the Marmite judges what makes them, or their loved ones, a deserving candidate to avail one of the 100 one-way free air tickets from anywhere in the globe. The one-way ticket is the proof of intent, because it commits the brand to the reunion, not just a symbolic gesture.

A diaspora is the portion of a country’s people living overseas, often staying emotionally tied to “home” through food, language, sport, and ritual.

Marmite’s “Bringing Home the Kiwis” is a centenary contest that offered 100 one-way flights to bring overseas New Zealanders back home, using the return itself as the campaign’s emotional centerpiece.

In small countries with a large diaspora, local brands can act as a bridge by enabling a real reunion.

Why it lands: it makes nostalgia actionable

Most “homesickness” marketing stays symbolic. This one turns longing into logistics. The prize is not merchandise. It is presence. That is why the story travels. It is instantly understandable, and emotionally high-stakes without feeling manufactured.

Extractable takeaway: When the emotion is separation, the strongest brand move is a mechanism that creates presence, not another object that points to it.

The business intent behind the generosity

The brand is buying disproportionate meaning. Marmite becomes a shorthand for “home,” and the campaign demonstrates it through a gesture people talk about long after the winners land.

It also solves a real friction point in the insight. If the product is hard to get abroad, then “bring them back” is a bolder way to dramatize what the brand represents.

This is the right kind of generosity when your brand promise is “home” and your audience’s friction is distance.

The real question is whether you are willing to make your positioning physically true for a small number of people, rather than symbolically true for everyone.

Nice idea, but it is clearly in the same family as “bring them home” diaspora campaigns, including JWT Argentina’s 2009 effort, titled “Bring Home the Argentinians”.

What to steal if you want a diaspora idea that is more than a slogan

  • Use a prize that embodies the insight. Flights beat gift packs when the emotion is separation.
  • Keep entry simple, but make the stories rich. Let candidates supply the narrative energy.
  • Build a clear number hook. “100 for 100 years” is easy to remember and retell.
  • Make the payoff visible. Arrivals and reunions are the credibility layer, not a voiceover.

A few fast answers before you act

What is Marmite’s Bringing Home the Kiwis campaign?

It is a centenary contest that offered 100 one-way flights from anywhere in the world to bring overseas New Zealanders back home. People nominate themselves or loved ones with a short story, tying the brand to the emotional idea of “home”.

Why does the “one-way ticket” prize work so well?

Because it turns nostalgia into logistics. The reward is presence, not merchandise, so the brand promise feels demonstrated rather than advertised.

Why is “100 for 100 years” a smart structure?

It is a simple number hook that is easy to remember and retell. It also makes the generosity feel purposeful instead of arbitrary.

What is the real business intent behind the generosity?

Marmite buys disproportionate meaning and becomes shorthand for “home,” while dramatizing a real friction point. It is hard to get abroad, so the campaign makes “home” the centerpiece.

What makes the story travel beyond New Zealand?

The payoff is visible and universal. Arrivals and reunions act as the credibility layer, so the idea works as a story, not just a claim.

What should other brands copy from this pattern?

If your positioning is emotional, make the mechanic physical. Choose a prize that embodies the insight, keep entry simple, and let real people supply the narrative energy.

DoubleClick: Fly over France HTML5 banner

DoubleClick: Fly over France HTML5 banner

You open a banner and, instead of a product shot, you get a hot-air balloon. You pick up speed, drift across a map, and “tour” famous French locations from above, including the Eiffel Tower, Notre-Dame de la Garde in Marseille, and the Château de Versailles.

This demo came out of the DoubleClick HTML5 Banner Challenge, with Biborg Interactive and Alpha Layer showing what happens when a banner is treated like a mini experience instead of a static placement.

The rich media build, meaning a banner unit that runs real-time code in the browser rather than a fixed image, leans on several HTML5 capabilities at once. Geolocation can drop you near your own location at the start. WebGL handles the 3D-like rendering layer in capable browsers. Audio and video tags add atmosphere. Google Maps-style navigation does the heavy lifting for exploration.

HTML5-rich media lets a banner behave like a lightweight web app, while still living inside a standard media buy.

An HTML5 rich media banner is a display unit that runs real-time code in the browser. It can detect location (with permission), render interactive graphics, and respond to user input without plugins.

What makes this feel different from “banner interactivity”

Most interactive banners ask for clicks. This one offers navigation. If your goal is time-in-unit, navigation is the better default than click-to-reveal. The moment you give people directional control, the experience shifts from “ad” to “toy”, and time-in-unit rises naturally because curiosity takes over.

Extractable takeaway: When you turn a banner into something navigable with one obvious control, you trade “interaction” for exploration, and exploration reliably buys you time.

Why the tech stack choice matters

Geolocation is not a gimmick here. It personalizes the first frame by making “your world” the default starting point, if the user opts in. WebGL is not decoration. It signals modernity and smoothness, making the experience feel closer to a game than a widget.

In programmatic display buys, weight and cross-browser reach still win, so the core interaction has to survive even when advanced features fall back.

The business intent behind the challenge demo

This is less about selling France and more about selling a capability. The real question is whether your banner is built to be explored or merely clicked through. It is a proof point for what DoubleClick Studio and HTML5 workflows can support, and it is a portfolio-grade demonstration for the teams who built it.

Steal these patterns for your next HTML5 banner

  • Give viewers one clear control. Navigation beats click-to-reveal when you want time spent.
  • Use “permissioned” personalization. Geolocation works best when it improves the first 3 seconds, not when it tries to be clever later.
  • Design a graceful fallback. If 3D is not available, the core experience should still be enjoyable.
  • Make the value visible without instructions. If someone can understand the interaction from across the room, they will try it.

A few fast answers before you act

What is the DoubleClick HTML5 Banner Challenge demo here?

It is a rich media banner concept that lets users “fly” a hot-air balloon over a map of France and discover landmarks, built to showcase what HTML5 banners can do beyond animation.

Which HTML5 features does the banner use?

It is described as using geolocation (with permission), WebGL for interactive graphics, and native audio and video support, alongside map-based navigation to create a lightweight exploration experience.

Why is geolocation useful in a banner?

Because it can personalize the first moment. Starting near a user’s own location makes the experience feel immediately relevant, as long as it is optional and clearly explained.

What does WebGL add to rich media ads?

WebGL enables GPU-accelerated 2D and 3D graphics in the browser. In advertising units, that can translate into smoother motion, depth effects, and more game-like interaction.

What is the biggest risk with “mini-app” banners?

Weight and compatibility. If the unit is too heavy or too fragile across browsers, you lose reach. The best builds keep a simple core loop and treat advanced effects as optional upgrades.