Porsche: Interactive Hologram Print Ad

To launch its latest 911, Porsche created a print ad that behaves like a device. Working with agency Cramer-Krasselt, Porsche placed a small acetate sheet into Fast Company’s April issue, turning a magazine spread into a build-it-yourself prism and an interactive “hologram” experience. In this context, “hologram” refers to a prism illusion created from tablet-screen content.

The execution ran as a four-page spread inserted into around 50,000 copies, complete with assembly directions. Porsche billed it as the world’s first interactive hologram print ad.

When a magazine page turns into a viewing tool

The mechanic is the whole point. You fold the acetate into a small prism, place it on top of a tablet, then use the screen content to create the floating 3D-style illusion inside the prism. Print does not “show” the car. Print enables the car to appear.

That shift matters. Instead of asking a reader to imagine innovation, the ad makes them assemble it, which turns curiosity into action.

In premium automotive marketing, making print behave like a device is a fast way to earn attention from audiences who think they have seen every format.

Why the prism matters more than the hologram

The hologram effect is a spectacle, but the prism is the message. It signals precision, engineering, and fascination through the act of building. It also gives the reader a reason to keep the insert, show someone else, and replay the experience, which is exactly what print needs when attention is scarce. The real question is whether the build step makes “innovation” feel earned rather than claimed.

Extractable takeaway: If you want a print unit to signal modernity, make it an enabling tool the viewer assembles, so the interaction itself becomes the proof.

What Porsche is really buying

The business intent is to make a high-end model launch feel as advanced as the product story. A conventional print page can carry features and beauty. This format carries a proof point. Porsche can credibly say, “We pushed the medium,” and that halo transfers to “we pushed the car.”

This is a smart launch move because it turns medium innovation into a product halo without adding more copy.

Steal this print-as-device pattern

  • Make the reader do one small action. Folding beats scanning when you want ritual, not convenience.
  • Let print enable the experience. The page becomes the trigger, not the canvas.
  • Keep the rules idiot-proof. If assembly fails, the entire idea fails.
  • Use scarcity and selectivity. A targeted drop can feel more premium than mass coverage.

A few fast answers before you act

What is an “interactive hologram print ad”?

It is a print ad that includes a physical component, in this case an acetate prism, that turns a tablet screen into a hologram-style viewing effect. The print unit is the enabling tool.

How does the prism create the hologram effect?

The prism reflects and refracts imagery from the screen into a floating illusion. The viewer sees the content “inside” the prism rather than flat on the tablet.

Why put this in a business magazine like Fast Company?

Because the audience expects innovation and is more likely to try a format experiment. It also gives the stunt credibility as “design and tech”, not just “advertising.”

What is the biggest execution risk?

Friction. If instructions are unclear, materials are flimsy, or setup takes too long, people drop the experience before the payoff.

What should you measure for a print-to-device activation?

Completion rate of the build, repeat views, sharing behavior, and brand recall lift versus a standard print placement. The real KPI is whether the mechanic gets retold accurately.

Netflix: The Friendly Pre-Roll Campaign

How do you make a sitcom like Friends, which went off the air 12 years ago, a year before YouTube even existed, seem relevant to online video viewers today.

To promote the ability to stream all 10 seasons, Netflix launched a nostalgic pre-roll campaign built on a simple insight: no matter what you search for or watch, there is almost always a Friends moment that relates to it. The execution was described as tagging thousands of videos so that the pre-roll you see matches the context of what you are about to watch.

Contextual nostalgia, delivered as a punchline

The mechanism is a library-plus-matching system. Take a deep archive of instantly recognizable scenes. Build a mapping between common viewing contexts and a specific Friends clip that “fits”. Then serve those clips as short pre-rolls in front of the videos people already watch, so the relevance lands before the viewer has time to skip.

In subscription streaming marketing, making older catalog content feel culturally current often depends on matching the show to what people already care about in the moment.

The real question is whether older catalog content can feel native to what the viewer is already doing right now. The stronger strategic move here is the match, not the memory.

Why it lands

This works because it flips pre-roll from interruption into payoff. Instead of asking viewers to care about Friends, it proves the show’s range by meeting them inside their existing interests. The result feels like the platform “gets you”, and the show feels less like nostalgia and more like a living reference library.

Extractable takeaway: If you can match your IP to the viewer’s current context fast and accurately, you turn targeting into entertainment. Entertainment earns attention where generic pre-roll loses it.

What this teaches about contextual catalog promotion

  • Build a mapping, not a montage: relevance comes from one perfect clip, not from throwing many at the viewer.
  • Exploit depth as a feature: long-running shows have breadth. Treat that breadth like a targeting asset.
  • Design for the skip button: the first seconds must communicate “this is for you” immediately.
  • Let the idea do the explaining: the best contextual ads are self-evident without a voiceover.
  • Use nostalgia as utility: the memory hit matters, but the contextual “fit” is what makes it feel current.

A few fast answers before you act

What is “The Friendly Pre-Roll Campaign”?

It is a Netflix campaign that uses short Friends scenes as pre-roll ads, matched to the context of what people are searching for or about to watch.

Why use Friends for this?

Because the show has a huge library of recognizable moments across everyday topics, which makes contextual matching feel natural rather than forced.

What makes this different from uploading clips to a channel?

The value is in placement and matching. The clip appears where the viewer already is, and it relates to what they are doing right now.

What is the core marketing job it solves?

It makes older content feel current by connecting it to today’s viewing contexts, instead of relying on “remember this” nostalgia alone.

What is the biggest execution risk?

Bad matching. If the clip feels irrelevant, the magic collapses and the pre-roll becomes just another interruption.

NIVEA Creme: Second Skin Project

A mother puts on a headset and a skin-like suit. Her son does the same, thousands of kilometres away. The promise is simple. If they cannot be together for Christmas, technology will let them feel a hug anyway.

That is the set-up in NIVEA Creme’s “Second Skin Project” with Leo Burnett Madrid. The film introduces Laura in Madrid and her son Pablo, who is away volunteering in Paraguay. They are invited to test a “Second Skin” garment that is presented as a high-tech fabric designed to simulate human skin and transmit the sensation of touch at distance, paired with virtual reality headsets.

The story then pivots. What looks like a tech demo is used to make a point about touch, not technology. The most persuasive moment is not the suit. It is the human reunion that follows, designed to underline NIVEA Creme’s belief that nothing beats skin-to-skin contact.

The “Second Skin” mechanism that pulls you in

The film borrows credibility from advanced-sounding materials and VR. That framing creates anticipation, because the viewer wants to know whether the experiment can actually work. The suit and headset are the narrative engine that earns attention for long enough to land the real message.

In global consumer brands where heritage products compete with endless alternatives, emotional proof often carries more weight than functional claims.

The real question is whether the tech is the story, or whether it is just a credible pretext for the brand to own the value of touch.

The twist that protects the brand meaning

There is a risk with tech-led emotion. The technology can become the hero and the brand becomes a sponsor. This script avoids that by using the tech as a decoy. The reveal shifts the spotlight back to the product truth. A hug is still the best “gift” and NIVEA Creme wants to be associated with that intimacy.

Extractable takeaway: When you borrow a shiny mechanism to earn attention, make the emotional payoff explicitly restate what the brand believes, or the gadget takes the credit.

How to use “purpose + tech” without losing the human truth

  • Use technology as the hook, not the conclusion. Let it earn attention, then pay it off with a human truth.
  • Make the brand stance explicit. Here the stance is clear. Technology can be amazing, but touch matters more.
  • Cast real stakes. Distance, holidays, and family history make the outcome feel earned.
  • Keep the product role emotional, not technical. NIVEA Creme is not “the innovation”. It is the comfort cue that frames the story.

A few fast answers before you act

What is the NIVEA Creme Second Skin Project?

It is a Christmas-season film and experiment setup where a mother and son test a VR-led “Second Skin” suit that is presented as transmitting the feeling of touch at distance, then the story reveals the value of real human contact.

Why does the campaign use VR and a “second skin” suit?

Because it creates a believable question the audience wants answered. Can technology replicate a hug? That curiosity holds attention long enough for the campaign’s real point to land.

What is the core message NIVEA Creme is trying to own?

That skin-to-skin contact matters. The work uses technology to highlight that, even in a world of advanced tools, nothing replaces human touch.

What makes this more than a generic emotional video?

The narrative structure. It starts as a tech experiment, then pivots into a human reunion. That contrast makes the conclusion feel stronger than a straight sentimental story.

What is the biggest risk with “tech-as-story” campaigns?

Audience misattribution. People remember the gadget and forget the brand meaning. The fix is to ensure the emotional payoff clearly belongs to the brand stance, not the device.