Nike: Jordan Melo M8 Water Projection

I have seen plenty of projection mapping in the last year or so, but this Nike execution for the Jordan Melo M8 takes a different route. Instead of treating a building as the canvas, it turns the Hudson River into the screen and uses a water curtain to make the visuals feel alive.

Trade coverage describes the launch as a live event at Pier 54, where a crowd gathered for performances and then got hit with a large-scale water projection moment featuring Carmelo Anthony and the Melo M8, layered with mapped effects that made the “explosive” theme feel physical.

When projection mapping stops being “mapping”

The mechanic is simple and smart. Water gives you motion for free, so the visuals do not need to do all the work. Every splash, ripple, and mist edge amplifies the animation and makes the illusion feel bigger than it would on a flat wall.

It also creates a built-in contrast. The shoe is a hard, engineered object. The canvas is fluid and unpredictable. That tension is what makes people stare.

In global sportswear launches, the fastest way to earn attention is to make the product reveal feel like a public event, not a private ad.

Why the water screen is the brand message

The most important thing this stunt communicates is not “this is a new shoe”. It is “this is an event-level product”. The audience reads production scale as product importance, especially in a category where new drops appear constantly.

Using water also supports the narrative hook that appears in reporting around the event. Melo “walks on water” as a visual flex. Whether you call it projection, illusion, or theatre, the point is the same. The launch gives people a story they can retell without describing a single feature.

Business intent

This is launch-week acceleration. Get a live crowd. Create a spectacle that looks unreal on camera. Seed the footage. Then let the audience do the distribution, because the clip is more shareable than a standard product film.

What to steal

  • Choose a canvas that adds value. Water, smoke, ice, and mirrors all contribute “movement” that visuals can ride.
  • Make the environment part of the claim. A river-scale reveal says “major” before any copy does.
  • Design for the recap video. If it does not look unbelievable on a phone screen, it will not travel.
  • Give people one sentence to repeat. “They projected Melo and the shoe onto the Hudson” is enough.

A few fast answers before you act

What is a water screen projection?

A water screen projection uses a thin curtain of mist or falling water as the surface. A projector throws imagery onto it, creating a floating effect that feels more dimensional than a wall projection.

Why does projection on water feel more “real”?

Because the surface moves. Ripples and spray add natural variation, so the visuals feel integrated with the environment rather than pasted onto it.

What makes this kind of stunt effective for a product launch?

It signals importance through scale, creates immediate talk value, and produces recap footage that performs better than a standard reveal because it looks like an event, not an ad.

What is the main operational risk?

Reliability. Water, wind, sightlines, and crowd control can all degrade the experience. If the image is not crisp and the moment does not land fast, the spectacle becomes confusion.

What metrics matter most?

Earned pickup, social share rate of the hero clip, completion rate, and correct retelling of the mechanic. If people remember “Hudson water projection” and connect it to the shoe, the stunt did its job.

Orange UK: Singing Tweetagrams

When “say it on Twitter” becomes “say it in song”

Got a friend who needs cheering up? Or maybe you just want to tell them that you love them, miss them, or really like their new haircut. Now you can say it with Orange UK’s new singing tweetagram.

The mechanic: hashtags in, custom songs out

It works like this. You write the tweetagram message to someone, adding the hashtag #singingtweetagrams. Orange then picks the best ones and has the Rockabellas record the message in song within a few hours. Orange then uploads the song and tweets it to you with a link, so you can send it on to the person.

A tweetagram is a short message written in the native language of Twitter, then converted into a personalized media artifact that feels like it was made for one person.

In consumer social marketing, the strongest hashtag activations reward participation with a tangible output that people can share without extra explanation.

Why it works: the reward is the content

The clever part is that the prize is not a discount or a badge. The prize is the thing you actually want to share. A custom song is inherently gift-like, and it gives the sender social credit while giving the receiver a genuine moment.

This also reduces the usual user-generated content risk. Users write the raw line, but the brand controls selection, production, and final output quality.

When a brand turns a user’s message into a polished artifact and returns it quickly, it converts “engagement” into a keepsake. That creates higher motivation to participate and higher likelihood of forwarding.

The operational question: can Orange produce at internet speed?

The question will be whether they can keep up the pace set by Wieden + Kennedy in its Old Spice effort, which was described at the time as producing more than 180 videos in a couple days and pumping out responses nearly immediately.

That comparison matters because the magic is not only the idea. It is the turnaround time. If the lag feels slow, the moment passes and the sender stops feeling clever for trying.

What to steal if you want this to travel

  • Make the output unmistakably personal. Names, in-jokes, and direct address beat generic templates.
  • Return value fast. “Within hours” is part of the product, not a service detail.
  • Keep creation native. Let people use the platform behavior they already know. Here it is a tweet plus a hashtag.
  • Curate to protect quality. Selection is a feature. It keeps the final artifacts share-worthy and on-brand.

A few fast answers before you act

What is Orange UK’s Singing Tweetagrams campaign?

It is a Twitter-based activation where people post a message with #singingtweetagrams. Orange selects some messages and has the Rockabellas record them as short personalized songs, then sends the result back as a shareable link.

Why is “speed” so important in this format?

Because the sender’s motivation is tied to the moment. Fast turnaround keeps the interaction feeling live, current, and socially relevant.

What role does curation play in making it work?

Curation protects output quality and brand tone. Users provide raw inputs, but the brand controls which messages become finished content.

How is this different from typical user-generated content contests?

The reward is not external. The reward is the finished content itself, which is designed to be shared and kept.

What is the biggest execution risk?

Production bottlenecks. If demand outpaces recording capacity, turnaround slows and the concept loses the real-time feeling that drives participation.

Old Spice: The Social Response Campaign

One body wash campaign that owned the conversation

This Old Spice case study takes us through the insight around targeting men and women at the same time to generate conversation around body wash. When it launched, the campaign managed to capture 75% of all conversations in the category.

To continue the success, Old Spice & Wieden + Kennedy created the next level, where Mustafa. Now a household hero. Engaged with the fans directly. The response campaign consisted of around 180 customized videos which engaged the fans directly. Thus it became the best social campaign ever to have been created.

Here are some stats of the campaign.

  • On day 1 the campaign received almost 6 million views (that’s more than Obama’s victory speech)
  • On day 2 Old Spice had 8 of the 11 most popular videos online
  • On day 3 the campaign had reached over 20 million views
  • After the first week Old Spice had over 40 million views
  • The Old Spice Twitter following increased 2700% (probably off a lowish base)
  • Facebook fan interaction was up 800%
  • Oldspice.com website traffic was up 300%
  • The Old Spice YouTube channel became the all time most viewed channel (amazing)
  • The campaign has generated 1.4 billion impressions since launching the ads 6 months ago
  • The campaign increased sales by 27% over 6 months since launching (year on year)
  • In the last 3 months sales were up 55%
  • And in the last month sales were up 107% from the social responses campaign work
  • Old Spice is now the #1 body wash brand for men

And without further a-due. The best social campaign ever.

The real shift: from broadcast to back-and-forth

The original idea did something rare. It spoke to men and women at the same time. Then it did the smarter thing. It treated the public reaction as the next creative brief. 180 customized responses turn attention into participation.

In FMCG categories where products are similar, a brand character plus high-volume two-way interaction can turn attention into a defensible advantage.

Why this still feels like a blueprint

Most campaigns stop when the film launches. This one starts there. When the character becomes a “household hero,” the brand gains a voice people want to talk to. The response layer makes the audience feel seen, not targeted.

What the numbers are really doing here

The stats are not just bragging rights. They are proof that conversation can move the entire system. Views, follows, site traffic, impressions, and ultimately sales. All tied to a campaign designed to travel socially.

What to steal from Old Spice’s playbook

  • Build for both sides of the purchase conversation. The user. And the influencer in their life.
  • Treat launch day as the start of the campaign, not the finish line. Plan the response layer.
  • Create a character and tone that can scale across dozens or hundreds of variations without losing recognition.

A few fast answers before you act

What was the core insight in this Old Spice campaign?

Target men and women at the same time to generate conversation around body wash, then use that conversation to fuel the next wave of content.

What made the “response campaign” different?

Mustafa engaged fans directly through around 180 customized videos, turning audience attention into two-way interaction.

What results did the post claim?

The post cites rapid view growth over the first week, large jumps in social following and interaction, major traffic increases, and significant sales lifts over months.

What is the core mechanic behind the success?

A launch film that sparks broad conversation, followed by high-volume personalized responses that keep the conversation accelerating instead of fading.