The Great Banner Sale

GRAACC is a Brazilian hospital that offers free treatment for children with cancer.

Over the last few years GRAACC has used a number of innovative approaches to raising funds. This year with Ogilvy Brazil they undertook the great banner sale. Rather than simply asking people for money, they asked companies to donate banner space on their web sites. Then instead of using the banner space to promote the hospital, they sold the space to other companies and individuals.

And if you’re interested in GRAACC’s campaign for 2010, that was rather different too. They asked people to donate their whole website to the charity…

Fanta: Lift & Laugh

A school elevator that refuses to stay boring

Ogilvy Brazil sought to reinforce Fanta’s brand image of “joy” in the USA. So they came up with an elevator prank called “Lift & Laugh”.

An elevator in a school in Atlanta was chosen to arouse students curiosity and laughter. In the elevator they installed a device that responded to the movements and comments from the students.

The mechanic: a responsive space that reacts back

This works by turning a routine moment. waiting for an elevator ride. into an interaction loop. The environment listens, then answers in real time, so the people inside start experimenting to see what triggers the next reaction.

An ambient ad is a brand experience placed in an everyday setting, where the setting itself becomes the medium and the message is delivered through participation.

In youth and soft drink marketing, “joy” only sticks when it is felt in-the-moment, not just claimed in a tagline.

Why the prank lands with students

It creates instant permission to play. The elevator is a confined stage, the reactions are immediate, and the group dynamic amplifies everything. If one person laughs, everyone joins, and the experience escalates without needing instruction.

Because the trigger is the students own movement and comments, the fun feels earned. That makes the memory durable, and more likely to be retold outside the elevator.

The business intent: make joy a repeatable brand behavior

This is not just a one-off gag. It is a proof point for a positioning idea. Fanta turns dull places into fun places. If the experience is good enough, the brand gets earned attention plus social retell value without needing to push product features.

In the end many students did not want to get off the elevator and asked for a repeat trip.

What to steal if you want an experience people replay

  • Make the interaction discoverable. People should learn the rules by trying, not by reading.
  • Reward experimentation fast. Short feedback loops create momentum.
  • Design for groups, not individuals. Laughter spreads socially. Build for that amplification.
  • Anchor the behavior to your brand. The “why” should map cleanly to what you stand for.

A few fast answers before you act

What is Fanta’s Lift & Laugh?

It is an elevator prank experience where the elevator reacts to students’ movements and comments, turning a normal ride into a playful, responsive brand moment for Fanta.

How does the elevator prank create engagement?

It uses immediate cause and effect. People try something, the elevator responds, and the group starts experimenting together to trigger more reactions.

What should brands learn from this format?

If you want “fun” as a brand attribute, build it into a situation people already live. Then make participation the delivery mechanism, not a message about participation.

Coca-Cola: Santa’s Forgotten Letters

When childhood letters get answered years later

The city of Santa Claus is situated in the state of Indiana, USA. The museum in the city brings together different objects related to Santa Claus and has long received letters from people around the world, described as doing so for more than 70 years.

Coca-Cola with its ad agency Ogilvy Brazil selected 75 forgotten letters and set out on an impossible task to find the writers and give them exactly what they asked for. The result was a touching movie that reinforces the magic of Christmas.

The impossible brief behind the film

The mechanism is straightforward and brutal in effort. Find a place where old letters to Santa were kept. Read through decades of messages that never got a reply. Select a small set of letters. Then track down the original writers and recreate the exact gifts they once requested.

“Forgotten letters” here means letters that were written to Santa as children, then stored and left unanswered for years.

In global FMCG holiday marketing, the fastest route to belief is to make generosity observable in the real world, not just promised in a tagline.

Santa’s Forgotten Letters is a Coca-Cola Christmas campaign by Ogilvy Brazil that turns archival letters into real deliveries, using the act of fulfillment as the proof of the story.

Why it lands: belief becomes physical

This works because it reverses the usual Christmas-ad formula. Instead of asking the audience to feel something while watching a film, it shows a real-world action first. The emotion is earned by the logistics.

The letters also do the writing for the brand. Each request is specific, personal, and time-stamped by childhood. That specificity makes the surprise feel less like marketing and more like closure.

The business intent hiding inside the sentiment

Coca-Cola is reinforcing a familiar role in the season. It wants to be the brand that protects the “magic” adults quietly miss, and it does that by staging a story people retell without needing to mention product features.

This is brand meaning built through a single, high-signal act that generates a long tail of earned conversation.

What to steal if you want emotion without manipulation

  • Start with an artifact, not an insight. Real letters, real handwriting, real specificity.
  • Make the work visible. Show the searching, the tracking, the making, the delivery.
  • Let the recipients carry the truth. The reactions are the credibility layer.
  • Limit the scope to protect authenticity. A small number of deliveries can feel more believable than a mass stunt.

A few fast answers before you act

What is Coca-Cola’s Santa’s Forgotten Letters campaign?

It is a Christmas film built around a real-world stunt: Coca-Cola and Ogilvy Brazil selected 75 old letters to Santa from Santa Claus, Indiana, tracked down the writers, and delivered the gifts they once asked for.

Why does the “old letters” device work so well?

Because it provides built-in authenticity and specificity. A handwritten childhood request feels personal and irrefutable, which makes the fulfillment feel earned rather than manufactured.

What should brands learn from the execution?

If you want belief, make the action do the persuading. Put the effort on-screen, keep the promise simple, and let real reactions confirm the story.