Election Poster Skate Attack

“Take action in your life and reALISe your dreams” was the intention when Albert Hatchwell and Isabelle Hammerich established ALIS in 1995. From 1995 until now ALIS has evolved from a small underground movement in Christiania (Denmark) to a company that creates opportunities and inspiration.

In a recent fun and well-thought of guerrilla marketing activity for their company in Denmark, ALIS has taken original Danish election posters and added a few new elements to them. The message at the end being “more skateboards on the agenda.” 😎

Check it out…

Ariel Fashion Shoot

Procter & Gamble Nordics in collaboration with Saatchi & Saatchi Stockholm, B-Reel and Atomgruppen have created an interactive campaign centered on a specially built glass installation in Stockholm Central Station, Sweden.

For one week, passers-by at Stockholm Central Station could watch designer clothes hung on a washing line being soiled by ketchup, drinking chocolate and lingonberry jam via fans on the Ariel Sweden Facebook page (or Denmark, Norway, Finland equivalents).

In order to win the designer clothes, the Ariel fans had to use a Facebook controlled industrial robot cannon to soil them. The stained clothes would then be sent in the post after being washed on-site with regular Ariel Actilift.

Royal Copenhagen: Hand painted billboard

A giant porcelain plate appears on a billboard, completely blank. Then, over the course of the day, painters slowly build the familiar Royal Copenhagen decoration in public, stroke by stroke, until the finished pattern looks like it has come straight from the workshop.

That is the core move in this Royal Copenhagen work with Uncle Grey. If the product is handmade and unique, the advertising has to behave the same way. So the “ad” becomes a craft demonstration on an outdoor canvas.

In heritage premium brands, the fastest way to defend value is to make the making visible.

The result is a simple proof mechanism. Mass-produced porcelain cannot do this. It cannot show its human hand in real time. This can.

A billboard that performs the brand promise

Most outdoor work is finished before you ever see it. This one unfolds in front of you. The billboard starts as an empty plate and ends as a completed piece, creating a living before-and-after story that pedestrians can witness at any point in the day.

That pacing matters. It turns a static placement into a timed event, and it gives people a reason to look twice. The craft is not described. It is staged.

Why “unique” needs more than a tagline

When a category is full of cheaper alternatives, “quality” becomes a noisy claim. The smarter route is evidence. A hand-painted billboard is evidence because it is expensive, slow, and visibly human. Those traits map directly onto the message Royal Copenhagen wants to protect.

What the business intent looks like in plain terms

The intent is to justify premium pricing without talking about price. By demonstrating labour and skill at scale, the campaign anchors the idea that the products are not interchangeable with mass-manufactured porcelain. Some coverage at the time described significant sales impact, including one report that framed results as a sharp uplift within 24 hours.

What to steal for your own “craft” narrative

  • Turn a value claim into a process. If you say “handmade,” show the hand.
  • Use time as a creative device. Progression creates curiosity and repeat attention.
  • Make the proof uncheatable. The point is not novelty. The point is credibility.
  • Scale the detail. When a small craft becomes a large public act, people notice the effort.

A few fast answers before you act

What is the Royal Copenhagen hand-painted billboard?

It is an outdoor execution where a large “porcelain plate” billboard starts blank and is hand-painted live over time, mirroring how Royal Copenhagen porcelain decoration is applied by hand.

Why does painting it live make the message stronger?

Because it converts “handmade” from a statement into observable proof. People can see the labour, time, and human touch that cheaper mass production cannot replicate.

What is the key mechanism that makes it work?

Progression. The billboard changes throughout the day, so the ad becomes an event. That creates curiosity, repeat looks, and word-of-mouth.

What kind of brands benefit most from this approach?

Brands selling premium products where craft, tradition, and human skill are central to the value proposition. Especially when cheaper substitutes make category claims feel generic.

What is the main risk with “craft as advertising” ideas?

If the execution is not visibly authentic, it backfires. The audience needs to clearly see the human work, otherwise it reads like staged theatre without proof.