It’s old, but it smells like new

Ford Seleccion is the brand of used cars from Ford in Spain. Bassat Ogilvy Madrid, the agency responsible for marketing the cars was given the task of bringing the excitement of a new car to the old ones.

So the team set out to bring the ‘smell of a new car’ to those who chose to buy a used one. After all, you might be willing to sacrifice the new car itself, if the old one at least smelled like a new one. 😉

Once the smell of the new car was identified, it was taken and bottled into fragrance samplers called ‘Olor a Nuevo,’ which means ‘Smell of New’. With this fragrance the line of old cars that smelled exactly like the new ones was created and successfully advertised through print and outdoor ads.

Ford C-Max Augmented Reality

A shopper walks past a JCDecaux Innovate mall “six-sheet” screen and stops. Instead of watching a looped video, they raise their hands and the Ford Grand C-MAX responds. They spin the car 360 degrees, open the doors, fold the seats flat, and flip through feature demos like Active Park Assist. No printed marker. No “scan this” prompt. Just gesture and immediate feedback.

What makes this outdoor AR execution different

This is where augmented reality in advertising moves from a cool, branded desktop experience to a marker-less, educational interaction in public space. The campaign, created by Ogilvy & Mather with London production partner Grand Visual, runs on JCDecaux Innovate’s mall digital screens in UK shopping centres and invites passers-by to explore the product, not just admire it.

The interaction model, in plain terms

Instead of asking people to download an app or scan a code, the screen behaves like a “walk-up showroom.”

  • Hands up. The interface recognises the user and their gestures.
  • Virtual buttons. On-screen controls let people change colour, open doors, fold seats, rotate the car, and trigger feature demos.
  • Learning by doing. The experience is less about spectacle and more about understanding what the 7-seat Grand C-MAX offers in a few seconds.

How the marker-less AR works here

The technical leap is the move away from printed markers or symbols as the anchor for interaction. The interface is based on natural movement and hand gestures, so any passer-by can start immediately without instructions.

Under the hood, a Panasonic D-Imager camera measures real-time spatial depth, and Inition’s augmented reality software merges the live footage with a 3D, photo-real model of the Grand C-MAX on screen.

In retail and out-of-home environments, interactive screens win when they eliminate setup friction and teach the product in seconds.

Why this matters for outdoor digital

If you care about outdoor and retail-media screens as more than “digital posters,” this is a strong pattern:

  • Lower friction beats novelty. The magic is not AR itself. The magic is that the user does not need to learn anything first.
  • Gesture makes the screen feel “alive.” The moment the passer-by sees the car respond, the display stops being media and becomes a product interface.
  • Education scales in public space. Showing how seats fold, how doors open, or what a feature demo looks like is hard to compress into a static ad. Interaction solves that.

Practical takeaways if you want to build something like this

  • Design for instant comprehension. Assume 3 seconds of attention before you earn more. Lead with one obvious gesture and one obvious payoff.
  • Keep the control set small. Colour, rotate, open, fold. A few high-value actions beat a deep menu.
  • Treat it like product UX, not campaign UX. The success metric is “did I understand the car better,” not “did I watch longer.”
  • Instrument it. Track starts, completions, feature selections, and drop-offs. Outdoor can behave like a funnel if you design it that way.

A few fast answers before you act

What is the core innovation here?

Marker-less, gesture-driven AR on mall digital screens that lets passers-by explore product features without scanning a code or using a printed marker.

What does the user actually do?

They raise their hands to start, then use on-screen controls to change colour, open doors, fold seats, rotate the car, and trigger feature demos like Active Park Assist.

What technology enables it?

A depth-imaging camera measures real-time spatial depth, and AR software merges live footage with a 3D model of the vehicle.

Why does “marker-less” matter in public spaces?

Because it removes setup friction. Anyone walking by can immediately interact through natural movement and gestures.

The first pre-launch of a car using Twitter

Twitter is only just taking off in Argentina, and Wunderman Buenos Aires managed to convince Ford to run the pre-launch on Twitter, with great success.

The idea was to give the most followed twitterer in Argentina the one and only new Ford Fiesta available in the country, with the condition that he drive it for 5 straight days, tweeting about his experience. That alone is not new, but the twist was smart. Some of the most famous TV stars jumped in the car and tweeted mini interviews while being driven around in the new Fiesta.

After just 5 days, the campaign had reached over 200,000 people. That is 50% of all Twitter users in Argentina.

Why this pre-launch mechanic works

It turns product access into a live narrative. One car. One highly followed driver. A fixed time window. That constraint creates focus and makes the story easy to follow in real time.

The celebrity ride-alongs add a second layer. They keep the feed fresh, they pull in adjacent audiences, and they make the tweets feel like “content” rather than a running spec sheet.

What to borrow for your next social launch

  • Give someone real access. Scarcity is a stronger signal than claims.
  • Put a clock on it. A defined window creates urgency and repeat checking.
  • Add format variety. Mini interviews change the rhythm and widen appeal.

A few fast answers before you act

What made this a “pre-launch” on Twitter?
The story unfolded through live tweets before broad availability, anchored by one high-profile driver and one car.

What was the core execution?
Argentina’s most followed twitterer drove the country’s only new Ford Fiesta for 5 straight days and tweeted the experience.

What was the twist beyond a standard influencer test drive?
TV stars joined the ride and tweeted mini interviews while being driven around.

What result is highlighted?
Over 200,000 people reached in 5 days, described as 50% of Argentina’s Twitter users.

What is the main takeaway?
Make the launch feel like an event, not an announcement. Access plus a live format beats static messaging.