Be Your Own Souvenir: 3D-printed human statue

The crew from blablablab.org creates a unique digital installation in La Rambla, Barcelona, a place made famous by street artists posing as “human sculptures” and the constant flow of tourists who stop to watch them stand still.

This installation reverses the roles and lets the tourist become the producer as well as the consumer. The system invites visitors to perform as a human statue, with a free personal souvenir as the reward: a small figure of themselves, printed three-dimensionally from a volumetric reconstruction generated using three structured-light scanners (Kinect).

On La Rambla, where people already queue for a photo moment, converting spectators into performers is a reliable way to earn attention without forcing a pitch.

A street ritual, rewritten

La Rambla already has a clear “script”. You stop, you watch, you take a picture, you move on. This project keeps the same script, but switches the hero. Instead of photographing someone else’s performance, you become the performance, and you leave with a physical artifact that proves you did it.

The real question is how you get strangers to choose public participation without feeling like they are being pitched.

How the scanning becomes the experience

The tech is not framed as “3D scanning”. It is framed as a playful stage. You step into position, hold still like the living statues nearby, and the system quietly captures you. The output is a miniature you can take home, which makes the digital process feel tangible and earned.

In European tourist corridors with heavy foot traffic, public-space interactivity succeeds when the action is instantly legible and the payoff is immediate.

Why the reward loop works

A souvenir is usually generic. Here it is personal, location-specific, and instantly story-worthy. The value is not the plastic. The value is the transformation: tourist to performer, data to object, moment to keepsake. The reward loop here is simple: pose, get captured, receive a miniature you can take home. This kind of public-space interactivity works best when the reward is earned through participation, not handed out as a promo.

Extractable takeaway: Turn spectators into performers with a one-step action and an earned artifact, and you can win attention without forcing a pitch.

What to steal for public-space interactivity

  • Borrow a behavior people already understand. The “human statue” pose needs no explanation in this location.
  • Make participation the content. The audience is literally the subject.
  • Deliver a physical takeaway. A real object extends the memory past the street corner.
  • Keep the instruction simple. “Stand here and pose” beats any multi-step onboarding.

A few fast answers before you act

What is “Be Your Own Souvenir”?

It is a public installation on La Rambla that invites tourists to pose as human statues, captures them with structured-light scanning, and produces a small 3D-printed figure as a personal souvenir.

How does the system capture the person?

It uses volumetric reconstruction generated from three structured-light scanners (Kinect), producing a digital model that can be sent to a 3D printer.

Why does the “human statue” framing matter?

Because it matches the culture of the street. People already understand the pose-and-watch ritual, so the interaction feels native rather than imported.

What makes this more than a tech demo?

The outcome is personal and physical. The tech disappears behind an experience and a takeaway that visitors actually want.

What is the main lesson for experiential design?

Anchor the interaction in a familiar behavior, then reward participation with an artifact that makes the moment portable.

Depaul UK: iHobo

It is easy to ignore a homeless person as you walk past them on the street, but after having one on your phone for three days Depaul UK hopes you will see the complex and varied issues behind youth homelessness.

This free app was created pro bono by Publicis London to raise awareness of Depaul UK, a charity devoted to youth homelessness in the UK.

Three days with a person you cannot swipe away

The mechanism is designed to feel like responsibility, not content. Over three days, the app keeps returning with prompts from a single “virtual homeless person”, pulling you back into their needs and decisions at inconvenient, everyday moments. That works because repeated prompts turn passive sympathy into felt responsibility.

In UK urban life where homelessness is visible but easy to mentally filter out, sustained micro-interruptions, small prompts that arrive during ordinary routines, can create empathy better than one big, easily-dismissed message.

Why it lands

The idea works because it weaponizes time. You do not get a one-minute burst of sadness and a clean exit. You get repeated friction, enough to feel the difference between “seeing” homelessness and “living alongside” it, even in a small way.

Extractable takeaway: If you need real attention for a complex cause, build a short, bounded experience that returns to the user repeatedly, then make the “I did something” step simple and immediate.

What Depaul is really trying to change

The real question is how to make someone feel ongoing responsibility for a problem they usually pass in seconds.

This is fundraising logic disguised as experience design. Depaul is trying to reach people who do not respond to posters and leaflets, and to do it on the device they check constantly. The app turns awareness into a relationship, then uses that relationship to make donating feel like a natural next step.

What cause campaigns can take from iHobo

  • Use duration as the persuasion. Three days is long enough to form a habit, short enough to try.
  • Design for interruption, not bingeing. Timed prompts beat long videos for sustained attention.
  • Keep the user’s role clear. Caring, deciding, responding. Clarity prevents drop-off.
  • Bound the experience. A defined end reduces resistance to starting.

A few fast answers before you act

What is iHobo?

A free mobile app created for Depaul UK that asks users to look after a “virtual homeless person” for three days to build awareness of youth homelessness.

What is the core mechanism?

Time-boxed engagement. The app returns with prompts over multiple days, creating repeated contact that is harder to ignore than a single awareness message.

Why three days?

It is long enough to create attachment and repeated friction, but short enough that people will still commit to trying it.

What makes this different from a standard charity film?

It turns passive viewing into ongoing responsibility. The message arrives on your schedule, not the campaign’s.

What is the most reusable lesson for other causes?

If the issue is complex, do not rely on a single emotional peak. Build a short series of small, repeated moments that accumulate into understanding and action.

Renault Espace: iPad 360° View

The Renault Espace is a large MPV from French car-maker Renault. With a new iPad app, Renault gives users an onboard view of the Espace like never before.

The application is a 360 degree interactive video. All you need to do is tilt your iPad and explore different angles as if you were right there.

A virtual showroom that behaves like your head

The mechanism is refreshingly direct. The app uses the iPad’s motion sensors to map physical movement to viewpoint changes inside the car. Instead of tapping through static photos, you “look around” by moving the device. It is a smart use of motion sensing because it keeps the interface invisible and the focus on the cabin.

In automotive consideration journeys, anything that increases spatial understanding of the interior helps bridge the gap between online browsing and a test drive.

Why it lands

Interior experience is one of the hardest things to communicate in standard car marketing. This solves that by letting the user control perspective. It also creates a calmer kind of interactivity. No menus, no instructions, no friction. Just tilt and explore.

Extractable takeaway: When your product has a strong spatial component, give people viewer control over perspective. It builds confidence faster than adding more copy.

What Renault is really trying to achieve

The real question is whether this kind of “tilt to explore” experience reduces uncertainty enough to make a showroom visit feel worth it.

This is a digital test-sit, a lightweight simulation of sitting in the cabin so you can judge layout and comfort before a showroom visit. It is designed to make the Espace feel accessible before a showroom visit, and to reduce uncertainty about cabin layout, visibility, and perceived comfort. Done well, it also keeps attention longer than a typical brochure flow.

Steal this for spatial product demos

  • Use motion as navigation. If the device supports it, motion control can feel more natural than UI controls.
  • Keep the interaction single-mode. One behaviour. Tilt to look. That simplicity is the feature.
  • Prioritise the interior. For family vehicles, cabin experience often sells more than exterior styling.
  • Let curiosity drive. Give users freedom to explore, rather than forcing a predetermined tour.
  • Make it fast to load. Interactive video dies when buffering becomes the dominant experience.

A few fast answers before you act

What is this Renault Espace iPad app in one sentence?

It is an iPad experience that uses a 360 degree interactive onboard video so users can tilt the device to explore the Espace interior from different angles.

Why use 360 video instead of a standard photo gallery?

Because it communicates space and layout more effectively. Users can look where they want, which reduces uncertainty faster than scrolling images.

What makes “tilt to explore” feel intuitive?

It mirrors how people look around in real life. Physical movement maps directly to viewpoint changes, so interaction feels natural.

What is the main execution risk?

Performance. If motion tracking feels laggy, or the video quality is poor, users will abandon quickly and the experience will feel like a gimmick.

What should you measure if you ship this type of experience?

Time spent, percentage of users who explore multiple viewpoints, completion rate, repeat sessions, and whether it correlates with test-drive requests or dealer inquiries.