Slide to Unlock

AlmapBBDO Brazil has developed a very unique and innovative iAd for the new Brazilian Audi magazine app. The ad seen in the video below appeared in various publications on the iPad and used a nice play on Apple’s “Slide to Unlock” feature to engage the users.

Users who saw the ad instantly recognized the swipe gesture used to unlock Apple devices. So after racing their finger around the track, they were rewarded with a free download of the first Audi Magazine copy from the app store.

Before I could publish this post I came across another “Slide to Unlock” iAd! It seems this iOS feature is becoming a popular creative feature for iAds. In the below example, Amnesty International has created an iAd in Sweden’s largest newspaper, DN, where readers were presented with an image of a prison cell and prisoner inside. “Slide to Unlock” was used to open the prison cell and reveal a strong call to action to join Amnesty International as an activist.

ASICS: Race Ryan Hall at Columbus Circle

ASICS wants to level up physical interaction with their brand. So around this year’s ING New York City Marathon, they built a 60-foot video wall in the Columbus Circle subway station and challenged passersby to race U.S. marathon runner Ryan Hall.

The wall plays life-sized footage of Hall running at marathon pace, turning a commute corridor into a short, sweaty benchmark. You do not “watch” the message. You try to keep up with it.

In high-traffic urban transit environments, the fastest way to make a performance claim believable is to let people feel it with their own body, not just read it.

Why a race works better than a slogan

Most sports sponsorship visibility lives on banners and logos. This flips the value. It gives the audience a direct comparison: your pace versus elite pace. That makes the brand message tangible in seconds, and it creates a story people can retell immediately.

The craft move: frictionless participation

No sign-up. No app download. No instruction manual. The interaction is instinctive. See runner. Run next to runner. That simplicity matters because subway audiences have short attention windows and low patience for setup.

What ASICS is really doing with this build

On the surface it is a fun stunt. Underneath it is a credibility transfer. By letting everyday runners test themselves against a real benchmark, ASICS positions itself closer to serious performance culture, not just event sponsorship.

What to steal for your next big-event activation

  • Turn a claim into a test. If the audience can try it, they will believe it.
  • Make participation obvious. The interaction should be understood without reading instructions.
  • Place it where behavior already fits. A corridor invites motion. Use spaces that support the action.
  • Design for one-sentence retell. “I raced Ryan Hall in the subway” is the whole message.

A few fast answers before you act

What is the core mechanic of this activation?

A long-form video wall shows Ryan Hall running at marathon pace, inviting passersby to physically race alongside the footage.

Why does transit placement matter here?

Transit corridors create natural “run lanes” and constant foot traffic, so the activation gets high exposure and the behavior feels socially plausible.

What makes this more effective than a normal video billboard?

It turns viewers into participants. The message is experienced as effort and pace, not as information.

What is the biggest execution risk?

If the wall is hard to notice, the corridor is too crowded to move, or the interaction cues are unclear, people default back to walking and the idea collapses.

How would you measure success?

Dwell time, participation rate, repeat attempts, social sharing volume, and any lift in event-area brand consideration versus baseline sponsorship exposure.