Happy Holiday Videos 2012: Agency Stunts

Welcome back. Hope everyone had a great holiday season. Now for a great start to 2013.

Taking off from my last post, here are a series of holiday action videos created by ad agencies around the world in their lead up to Christmas 2012. By “holiday action videos,” I mean greetings built around a simple interaction or trigger with a visible payoff.

Holiday greetings that behave like products

The mechanism across this set is consistent. Use the “holiday card” moment as permission to ship something people can experience, not just watch. A hacked player, a tweet-triggered donation, a synchronized “orchestra,” a physical gag product.

In global agency culture, the holiday card is a low-risk moment to test interactive mechanics and craft that can later show up in bigger client work.

Why this format keeps working

These pieces earn attention because they trade greeting-card sentiment for an observable action. The real question is whether your greeting demonstrates a capability people can experience, not just a sentiment they can scroll past. You should treat the holiday card as a tiny product launch, not a branded message. The viewer is not only receiving wishes. They are triggering something, learning something, or being surprised by a mechanism that is simple enough to retell.

Extractable takeaway: If you want something to travel during peak-season noise, design a one-step interaction with a visible payoff, and make the payoff describable in a single sentence. That is retellability, meaning a friend can summarize it in one sentence.

Maurice Lévy’s Digital Wishes by Publicis Groupe

Maurice Lévy, the chairman and chief executive of Publicis Groupe, traditionally records a holiday greeting-card video. This year, through a special deal with YouTube, Publicis modified the function buttons of the video player and embed tricks into what seems like another long, boring address by an ad industry veteran.

TwinterWonderland by 360i

To celebrate the arrival of the holiday season and provide assistance to those affected by Hurricane Sandy, 360i wanted to do something big. For every #TwinterWonderland tweet they received, 360i donated $5 to an aid organization helping with the post-Sandy cleanup effort.

25th Anniversary Holiday CompuCard by TBWA\TORONTO

To celebrate their 25th anniversary, TBWA\TORONTO brought in their digital expert from 1988, who then, through an e-card, tried to capture the spirit of their past along with their digital future.

Buzzed Buzzer by Havas Worldwide Chicago

The first New Years Eve noise maker that only works when you’re drunk.

Christmas carol played on food by FullSIX Spain

To wish happy new year to customers and friends, FullSIX transformed typical Spanish Christmas food into a carol-playing piano.

Click here to watch video on the AdsSpot website.

The Snow Machine by Weapon7

Passers-by were invited to Tweet #snow to @thesnowmachine Twitter account. For every tweet received, the machine gave ten seconds of snow flurry. The event ran all day, was seen by thousands of people and generated over one thousand tweets.

Stealable patterns for next year’s greeting

  • Give the audience one trigger. One hashtag, one button, one simple mechanic.
  • Make the payoff visible. Something changes immediately, on-screen or in the real world.
  • Design for retellability. If the idea cannot be summarized in one sentence, it will not spread.
  • Let craft do the selling. Use the holiday excuse to demonstrate capability, not just sentiment.

A few fast answers before you act

What makes “holiday action videos” different from normal holiday ads?

They are built around a visible action or interaction. The greeting is the excuse. The mechanism is what people experience, talk about, and share.

Why do agencies use holiday cards as a playground for experimentation?

The stakes are lower and the audience is receptive, so it is easier to try unusual formats, technical tricks, and interactive mechanics that would be harder to justify elsewhere.

What is the common mechanism across the strongest examples?

One clear trigger and one clear payoff. A hacked player that surprises you, a tweet that causes a donation, a simple “instrument” that performs when activated.

How do you keep it from feeling like a gimmick?

Anchor the interaction in a human reward. Delight, generosity, togetherness, or a simple shared joke. Then keep friction low so the idea survives first contact.

How do you test retellability before you publish?

Ask someone outside the project to explain the idea back to you after a 10-second description. If they cannot say the trigger and payoff in one sentence, simplify the mechanic.

MTV Under The Thumb: second-screen TV for Europe

A social TV app that moves with you

MTV’s Under The Thumb is positioned as an interactive platform that changes how Europe’s digital teenagers watch and share entertainment across devices.

One product, three viewing modes

When you’re out and about, MTV shows can be streamed on demand on your phone.

When you’re at home, the app turns into a remote control by pairing with a browser on a PC, laptop, or connected TV, so you can drive playback on a bigger screen from your phone.

When you’re feeling social, it syncs viewing with friends so you can watch the same show and chat together in real time, even when you are in different places.

Why the mechanism is the message

The “platform” claim only holds if the app earns repeat use in different contexts. The real question is whether it becomes a repeatable daily habit, not just a clever demo. Under The Thumb does that by bundling three habits into one interface: portable streaming, at-home viewer control, and co-viewing chat. Here, “second screen” means the phone acts as the controller while video plays on a larger display, and “co-viewing” means friends watch the same content in sync while chatting. That combination turns a media brand into something closer to a routine than a channel. This is a stronger product bet than treating second-screen features as a one-off gimmick.

Extractable takeaway: Under The Thumb combines on-the-go streaming, at-home phone-as-remote viewer control, and real-time co-viewing chat in one app, so the same service stays useful across the day.

In European youth entertainment, the phone is where attention, conversation, and control converge, even when video shifts to a bigger screen.

Launch momentum, before the ads even land

The app is unveiled at the Mobile World Congress in Barcelona. In the launch window, it is described as spreading fast among tech and TV audiences, with download velocity reported as strong even before MTV’s supporting advertising campaign fully kicks in.

For more visit www.mtvunderthethumb.com.

Second-screen patterns worth copying

  • Design for context switching. Keep the same service useful when people move from mobile bursts to a bigger screen at home.
  • Make viewer control the default. Let the phone run playback on the larger display so attention stays on the show, not on setup.
  • Layer in social without breaking flow. Sync co-viewing and chat so conversation stays aligned with what is on screen.

A few fast answers before you act

What is MTV Under The Thumb?

It is a social TV app for MTV that combines on-demand mobile streaming, second-screen remote control for larger displays, and co-viewing with chat.

How does the dual-screen remote feature work?

The phone pairs with a browser on a PC, laptop, or connected TV. Your phone then controls playback on the bigger screen while the service continues to run through the app experience.

What does “co-viewing” mean in this context?

Co-viewing means friends watch the same content at the same time while chatting in-app, with viewing synchronized so the conversation matches the moment on screen.

Why is this a smart move for a youth entertainment brand?

It follows real behavior. People watch in short bursts on mobile, shift to bigger screens at home, and want to talk while they watch. The app is designed to keep MTV present across all three situations.

What should product teams copy from this model?

Design for context switching. Make the same service valuable in multiple moments of the day, and give users clear viewer control plus a lightweight social layer that does not interrupt playback.

Heineken Star Player

The UEFA Champions League attracts massive global audiences, and a large share of fans watch matches at home. Heineken’s release references over 150 million TV viewers watching live UCL coverage per match week in 220+ territories. Heineken and AKQA used that context to build Heineken StarPlayer, a dual-screen app designed to let fans interact in real time with the nail-biting action.

With StarPlayer, fans play along live on desktop and mobile by anticipating what will happen in key match moments, in real time. The promise is simple. Turn passive viewing into a competitive layer of predictions, banter and shared tension.

What StarPlayer actually adds to the match

The mechanic is built around micro-moments. Here, “micro-moments” means the short, repeatable windows where a single prediction fits without pulling you away from play. Corners, free kicks, penalties, shots, and short time windows where a fan can commit to a forecast. If you are right, you gain points. If you are wrong, you lose ground. The point is not the points. The point is sustained attention and social comparison. Because each forecast is time-boxed and resolved by the next play, the loop creates tension and keeps fans scanning for the next peak moment.

In sports sponsorship, the hard part is not reach. It is converting 90 minutes of attention into 90 minutes of participation.

In global sports sponsorships, the scarce resource is not exposure, it is credible participation during the live window.

The real question is whether you can turn the second-screen reflex into a ritual that heightens the match instead of competing with it.

Why the dual-screen idea fits the way fans really watch

StarPlayer leans into two truths. First, a lot of fans watch at home rather than in stadiums. Second, many are already using a second device during the match, either to check stats, message friends, or follow commentary. StarPlayer turns that second-screen habit into a structured game loop. It also respects viewer control. You can engage in bursts, choose the moments you want to play, and keep your focus on the match while the phone or laptop becomes your companion layer.

Extractable takeaway: If your audience already second-screens, convert that habit into one-tap decisions tied to predictable peaks, so the companion layer adds tension without stealing attention from the main screen.

What the brand is really buying

Heineken positions StarPlayer as “made to entertain” applied to sport viewing. The business intent is to make the sponsorship feel like an experience, not just a logo. If the brand becomes part of the ritual, it earns recall that is tied to real match emotions, not ad breaks. This kind of activation is worth doing only when it becomes part of the viewing ritual, not an interruption layered on top.

The work later earns major industry recognition. Heineken Star Player is listed as a Cyber Gold Lion (Mobile) at Cannes Lions, credited to AKQA London.

Steal the second-screen prediction loop

  • Design around predictable peaks. Build interactions for moments people already lean forward for.
  • Keep the loop lightweight. A decision in seconds beats anything that competes with the main screen.
  • Make it social by default. Rivalry, banter and comparison are the fuel. Solo play is the backup.
  • Optimise for “stickiness”, not clicks. The win condition is returning to the second screen again and again during the match.

A few fast answers before you act

What is a “dual-screen” experience in sports marketing?

A dual-screen experience is when the main content stays on TV, while a phone or laptop adds a companion layer. The second screen can enable play, prediction, stats, chat, or rewards without interrupting the match.

Why do prediction mechanics work especially well in live sport?

Because sport is already a sequence of uncertain outcomes. Predictions let fans externalise their gut feel, then get instant feedback, which creates tension and repeat engagement.

What is the simplest version of Star Player a brand could copy?

Pick 5 to 10 repeatable match moments. Create one-tap predictions with a short countdown. Score it. Add a friend leaderboard. Keep everything playable in under five seconds.

How do you avoid the second screen distracting from the match?

Design for bursts. Keep interactions tied to natural pauses or peak moments. Use quick taps, not typing. The TV remains the hero.

What metrics matter for a second-screen activation?

Time-in-experience per match, repeat participation across matches, and social play rate. For brand outcomes, track recall and sponsorship attribution uplift, not just installs.